Dolores Costello

Guinn 'Big Boy' Williams

Andy Devine

Myrna Loy

Noah's Ark

Noah's Ark (1928)

Dennis Morgan

Ginger Rogers

Joel McCrea

Chance at Heaven

Chance at Heaven (1933)

Randolph Scott

Jean Harlow

Phil Harris

A young shopgirl is dance-mad, even winning prize cups in competitions. Circulating with lots of people gives her a dubious reputation, but we see it's unwarranted. The son of the owner of the department store she works in falls for her without realizing her status. At length, he puts her to a test to see just what kind of girl she is.—WesternOne

Why Be Good?

Why Be Good? (1929)

Fred Esmelton

Barbara Kent

Fay Holderness

A lonesome boy and a lonesome girl meet accidentally on their Saturday-off at Coney Island. It is love at fight sight but over the bewilderment of their sudden romance and escape from loneliness, they don't even realize they don'y even known each other's name until a fire breaks out and they are separated.—Les Adams

Lonesome

Lonesome (1928)

Monty Woolley

Bob Hope

Martha Raye

Bob Hope is being stalked by a predatory widow who is a widow of wealthy husbands many times over. Martha Raye is a Texan heiress who wants to marry her boyfriend Andy Devine, but her father is determined that she marry into royalty. To solve both their problems, Martha Raye and Bob Hope decide to marry, but will they ever find love together?—laird-3

Never Say Die

Never Say Die (1939)

Robert Taylor

William Powell

Gary Cooper

Hollywood stars participate in a Mexican-themed revue and festival in Santa Barbara. Andy Devine, the "World's Greatest Matador", engages in a bullfight with a dubious bovine supplied by Señor Keaton, and musical numbers are provided by Joe Morrison and the Garland Sisters. Comedy bits and dance numbers are also featured.—scgary66

La Fiesta de Santa Barbara

La Fiesta de Santa Barbara (1935)

Jon Hall

Scotty Beckett

Maria Montez

Ali Baba, son of the Kalif of Bagdad is brought up by the 40 Thieves after his father is killed by the soldiers of Hugalu Khan, who received the necessary information by traitor Cassim. Ali becomes the leader of the thieves and they are fighting for the freedom of his land. Per chance Ali captures the fiancée of Hugalu Khan, who turns out to be his girl friend Amara. After a few misunderstandings Ali uses her wedding day with Hugalu Khan as the day for the liberation of Bagdad.—Stephan Eichenberg

Ali Baba and the Forty Thieves

Ali Baba and the Forty Thieves (1943)

Turhan Bey

Young, lovely Naila becomes queen of the ancient Egyptian kingdom of Khemis after her father is killed in a slave revolt. Continuing her penchant for going incognito among the people, she seeks out rebel leader Herua. But through palace treachery, she herself is captured and enslaved. After various adventures, she finds herself rescued by (and attracted to) the very rebel she was seeking. Will gratitude or revenge win out? Gorgeous scenery and costumes.—Rod Crawford

Sudan

Sudan (1945)

Rochelle Hudson

Elizabeth Patterson

Kendall McComas

Dr. Bull is an old-fashioned country doctor whose affair with widow Janet Cardmaker is creating waves in their small town. When the doctor is slow to react to a mysterious outbreak of typhoid, that's enough for the townspeople: they hold an emergency meeting and decide to sack Dr. Bull and bring in a new doctor. Dr. Bull must find a way to save his job, his reputation, and the life of a young man whom all other practitioners have written off as a permanent invalid.—Alfred Jingle

Doctor Bull

Doctor Bull (1933)

Ed Fury

Carl 'Alfalfa' Switzer

Sean McClory

Pilot John Dooley and his crew of four are flying an Air Force mission in a Douglas C-47 Skytrain (the military version of the DC-3). They experience icy conditions in the uncharted wilderness near the Quebec-Labrador border. Dooley is a former airline pilot who had been pressed into duty hauling war supplies across the northern route to England. Unable to make radio contact for bearings, they land on a frozen lake far from settled country and can only provide an approximate position to rescuers. Compass readings were unstable in this region. Dooley must keep his men alive while waiting for rescue in the extreme winter cold with temperatures plummeting to -70 degrees Fahrenheit and limited food. At headquarters, Col. Fuller gathers fellow airmen, close colleagues of Dooley, who are determined to find the downed crew before the men succumb to hunger and the cold. The search pilots experience frustration and fear when their initial attempts are unsuccessful. From the sketchy data they have, it seems Dooley went down on the far side of a range of mountains that doesn't even appear on their maps. In the face of an approaching storm, they are unsure as to what their final attempt should be. A wrong decision will doom the missing crew. The downed crew are able to use a hand-cranked generator to send a weak signal that will hopefully be picked up.—Garon Smith

Island in the Sky

Island in the Sky (1953)

Dean Smith

Henry Brandon

James Stewart

The US Army is under pressure from the desperate relatives of white prisoners of the Comanches to secure their rescue. A cynical and corrupt marshal, Guthrie McCabe, is persuaded by an army lieutenant to assist in the negotiations with the Comanches; however, just two captives are released, and their reintegration into white society proves highly problematic.—David Levene

Two Rode Together

Two Rode Together (1961)

Walter Huston

Constance Cummings

Boris Karloff

A wily D.A. (Brady) gets a 10-year conviction of a 20-year-old (Robert Graham) who killed a man in self-defense. Years later Brady becomes warden of the prison holding Graham. When Brady realizes that 6 years of working in the prison jute mill has pushed Graham to the breaking point, he gives him a chance--a new job as his valet. Graham responds well and earns the respect of both the warden and his beautiful daughter. Graham's mettle is put to the test when he stumbles onto a prison murder committed by his cellmate. He must choose between the criminal code of silence and the warden's strong persuasion to reveal the killer.—Gary Jackson

The Criminal Code

The Criminal Code (1931)

Mary Treen

Eddie Hall

Marlene Dietrich

French farce comes to the New World in 1840 as Claire Ledoux convinces the middle-aged banker who is her fiance that she is two different women -- a deception made necessary by the arrival of a man acquainted with the swath she cut across Europe. Giraud has been about to foreclose on a $150 loan made to a sea captain who needed the funds to court Claire. Get Claire's "cousin" out of New Orleans before the wedding, Giraud tells the sea captain and the debt will be paid.—Dale O'Connor

The Flame of New Orleans

The Flame of New Orleans (1941)

John Fiedler

Doris Day

George Kennedy

Josie Minick is a widow who is forced to fend for herself in the Wyoming Territory. As she lives in cattle country, she finds herself at odds, then at all-out war, with the cattlemen of the town when she happens upon the idea to make a sheep farm her livelihood, then determines to make it happen.—Kelly

The Ballad of Josie

The Ballad of Josie (1967)

Ellen Drew

Gene Lockhart

The army's effort to capture Apache chief Geronimo, who is leading a band of warriors on a rampage of raiding and murder, is hampered by a feud between two officers--who are father and son.

Geronimo!

Geronimo! (1939)

Nat Pendleton

Lew Ayres

Adam Walsh

Story of two friends who play football, one of whom is a self-centered quarterback who thinks he's the only man on the team.

The Spirit of Notre Dame

The Spirit of Notre Dame (1931)

Tom Fadden

Edgar Buchanan

Young lawyer Tod Jackson arrives in pioneer Kansas to visit his prosperous rancher friends the Daltons, just as the latter are in danger of losing their land to a crooked development company. When Tod tries to help them, a faked murder charge turns the Daltons into outlaws, but more victims than villains in this fictionalized version. Will Tod stay loyal to his friends despite falling in love with Bob Dalton's former fiancée Julie?—Rod Crawford

When the Daltons Rode

When the Daltons Rode (1940)

Bela Lugosi

John George

Honeymooning in Hungary, Joan and Peter Allison share their train compartment with Dr. Vitus Verdegast, a courtly but tragic man who is returning to the remains of the town he defended before becoming a prisoner of war for fifteen years. When their hotel-bound bus crashes in a mountain storm and Joan is injured, the travellers seek refuge in the home, built fortress-like upon the site of a bloody battlefield, of famed architect Hjalmar Poelzig. There, cat-phobic Verdegast learns his wife's fate, grieves for his lost daughter, and must play a game of chess for Allison's life.—Sister Grimm

The Black Cat

The Black Cat (1934)

Harry C. Bradley

Peggy Wood

A screenplay entitled "A Star Is Born" is stamped with the words, "Final Shooting Script," then opened to reveal the following story: Esther Blodgett returns one winter evening to her home, an isolated farmhouse in North Dakota, after seeing a movie with her little brother Aleck, which starred her screen idol, Norman Maine. Esther's Aunt Mattie disdains Esther's obsession with the movies, and her father and grandmother Lettie are surprised to hear that Esther wants to be a movie star. After Mattie berates her, Esther runs to her room in tears. Lettie then tells Esther of her own past dreams of coming across the country in a "prairie schooner," and although she cautions Esther about the heartbreak that always comes to those who pursue their dreams, Lettie encourages Esther and gives her money to take a train to Hollywood. In Hollywood, Esther goes to Grauman's Chinese Theatre, where she steps in the footprints of Norman Maine. Esther naively expects to begin immediately as an extra, but she learns the depressing news that no extra has been signed by Central Casting in the past two years. When she is told that she has only a one in one hundred thousand chance to succeed, she replies that maybe she is that "one." Esther makes friends with Danny McGuire, an out-of-work assistant director who lives in her rooming-house, and when he gets a job, they go to a performance at the Hollywood Bowl, where Norman arrives drunk with actress Anita Regis and then starts a fight with a persistent photographer. Danny gets Esther a job as a waitress at a party his director is giving. Norman arrives at the party following another drunken escapade, which his exasperated press agent, Matt Libby, has kept out of the newspapers. Anita catches Norman in the kitchen flirting with Esther, and after she breaks a plate over his head, Norman and Esther leave together. Although he invites her to his place to talk over her career plans, Esther refuses, and after he gives her a goodnight kiss, he asks her to wait a moment so that he can take one last look at her before she goes in. Norman then phones and awakens studio head Oliver Niles at nearly three in the morning to arrange for a screen test for Esther, whose sincerity and honesty he praises. After the test, Esther signs a contract, and she is soon transformed by posture and voice coaches, and makeup artists into "Vicki Lester." Unable to find a suitable female lead for his next picture, Norman talks Oliver into using Esther, and she is a smash hit with the preview audience, who disparage Norman's performance. Norman and Esther celebrate at the Cafe Trocadero overlooking the city, where Norman tells Esther that she now can have anything in the world, but reveals that stardom has not made him happy and that he feels he has thrown his life away. Esther comforts him and tries to convinces him that it is not too late, and they hug. At a boxing match, Norman proposes marriage, and the couple marry quietly at a small town courthouse, which spoils Libby's plans to cash in on the publicity. Soon after their honeymoon trip in a trailer, Norman's contract is canceled, and he is relegated to the role of house husband, while Esther becomes a top star. Norman starts drinking again, and during the Academy Awards ceremonies, he drunkenly interrupts Esther's acceptance speech for the award for finest performance by an actress and accidentally slaps her in the face. Sometime later, at Esther's instigation, Oliver visits Norman, now in a sanitarium, to offer him a role in a picture, but when Norman learns that it is not the lead, he good-naturedly declines. During Christmas week, Norman, out of the sanitarium and on the wagon, visits Santa Anita Racetrack, where he runs into Libby. Although Norman tries not to get riled as Libby brutally razzes him, when Libby crudely suggests that he is sponging off his wife, Norman hits Libby, who belts him. Norman then orders a bottle of scotch, and four days later, Esther learns that he has been arrested for crashing his car into a tree while intoxicated. Through Esther's pleading with the judge, Norman is released to her custody, but the newspapers make the incident into a front-page story. At their beach house in Malibu, Norman overhears Esther tell Oliver that she must now quit the movies so that she can go away with Norman. After Oliver leaves, Norman finds Esther crying. He tells her that he is going for a swim, and before he leaves her, he asks, as he did the night they met, for one last look at her. He then walks into the ocean and drowns. Outside the church where Norman's funeral is held, the uncaring comments and actions of Esther's fans cause her to scream hysterically. She is about to leave town, when Lettie arrives and convinces her that tragedy is a test and that she must not run away from herself. Later, as Esther is about to be interviewed on radio at a premiere in front of Grauman's Chinese Theatre, she sees Norman's footprints and starts to swoon, but she recovers and says with pride into the microphone, "Hello, everybody. This is Mrs. Norman Maine." The last page of the screenplay, which contains the above line, is shown, and the screenplay is closed.

A Star Is Born

A Star Is Born (1937)

Lee Van Cleef

Edmond O'Brien

Denver Pyle

When Senator Ransom Stoddard returns home to Shinbone for the funeral of Tom Doniphon, he recounts to a local newspaper editor the story behind it all. He had scome to town many years before, a lawyer by profession te. The stage was robbed on its way in by local ruffian Liberty Valance, and Stoddard has nothing left to his name but a few law books. He gets a job in the kitchen at the Ericsons' restaurant, where he meets his future wife Hallie. The territory y weds r is vying for Statehood and Stoddard is selected as a representative over Valance, who continues to terrorize the town. When he destroys the local newspaper office and attacks the editor, Stoddard calls him out, though the conclusion is not quite as straightforward as legend would have it.—garykmcd

The Man Who Shot Liberty Valance

The Man Who Shot Liberty Valance (1962)

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