David Crosby

Cyril Delevanti

Neil Young

Carrie Snodgress

Journey Through the Past

Journey Through the Past (1973)

Luana Patten

Richard Beymer

Dabbs Greer

Johnny Tremain

Johnny Tremain (1957)

Doris Day

Nick Adams

Mamie Van Doren

Teacher's Pet

Teacher's Pet (1958)

Lillian Bronson

Ella Raines

Gale Sondergaard

A rich but naive young woman is in possession of some priceless jewels. She doesn't realize it, but a gang of jewel thieves does.

Enter Arsene Lupin

Enter Arsene Lupin (1944)

James Robertson Justice

Joan Collins

Jack Hawkins

In ancient Egypt, the Pharaoh Khufu (Jack Hawkins) is obsessed with acquiring gold and plans to take it all with him into the "second life". To this end, he enlists the aid of Vashtar (James Robertson Justice), an architect whose people are enslaved in Egypt. The deal: build a robbery-proof tomb and the enslaved people will be freed. During the years that the pyramid is being built, Cyprian Princess Nellifer (Dame Joan Collins) becomes the Pharaoh's second wife, and she plots to prevent Khufu from taking his treasure with him when he dies, as well as helping him make the journey early.—Ron Kerrigan

Land of the Pharaohs

Land of the Pharaohs (1955)

Nigel Bruce

Basil Rathbone

Gavin Muir

Seven rich men retire to a Scottish castle and promptly begin to die in violent fashion. Each death is preceded by the delivery of orange pips to the next target. As all the likely victims are heaviliy insured, Sherlock Holmes is asked by the insurance companies to investigate.—Jeremy Perkins {J-26}

The House of Fear

The House of Fear (1945)

Sue Lyon

Deborah Kerr

Ava Gardner

The Rev. T. Lawrence Shannon has been living in Mexico for two years, working as a tourist guide for a cut-rate travel agency. Shannon lost his church and was defrocked after taking liberties with one of his parishioners. He's now accompanying a group of middle-aged ladies from Texas whose leader, Judith Fellowes, is keeping a close eye on her teenage ward, Charlotte Goodall, who definitely has an interest in the former priest. After Charlotte and Shannon spend the night together, Fellowes is out to have him fired and to keep her from communicating with his employer, Shannon strands them at a remote hotel run by his good friend Maxine Faulk. It's the arrival of Hannah Jelkes and her elderly grandfather that has the greatest impact however. Her approach to life and love forces Shannon to deal with his demons and re-evaluate his life.—garykmcd

The Night of the Iguana

The Night of the Iguana (1964)

Alan Napier

Ray Milland

Marjorie Reynolds

Stephen Neale is released into WWII England after two years in an asylum, but it doesn't seem so sane outside either. On his way back to London to rejoin civilization, he stumbles across a murderous spy ring and wants to stop it, but doesn't quite know what to do.—Ken Yousten

Ministry of Fear

Ministry of Fear (1944)

Bela Lugosi

Irene Hervey

Janet Shaw

Dr. Lynn Harper, psychologist, has been called out to the old Ingston Mansion, a dark and mysterious place with a very bad reputation, in order to make an assessment of the sanity of Margaret Ingston, daughter of patriarch Kurt Ingston. She claims to be sane, but she is clearly very disturbed; we can't be certain, although the doctor gives her a clean bill of health. But then Dick Baldwin shows up on the scene, just when Dr. Lynne has been receiving thinly veiled threats from the inhabitants of the house. He's our hero. Three medical doctors have been invited out to the mansion as well, Dr. Timmons, Dr. Phipps and the sleazy Dr. King (Lionel Atwill). One by one the doctors are mysteriously murdered. Dick Baldwin must figure out who is doing the killings, and he must do so before whoever it is can kill his new love interest, Dr. Lynne Harper. But the only one he can trust is Kurt Ingston himself, since Ingston has no legs and can't have perpetrated these murders. Is it sinister Rolf, the butler, or Laurie, the sex crazed and sociopathic chauffeur, or Agor Singh, the Hindu Yogi with his strange ways? And of course, Lynne might be wrong, Margaret may be very insane, and she might be the culprit.—Jim Knoppow

Night Monster

Night Monster (1942)

Ilona Massey

Martha Vickers

Larry Talbot finds himself in an asylum, recovering from an operation performed by the kindly Dr. Mannering. Inspector Owen finds him there, too, wanting to question him about a recent spate of murders. Talbot escapes and finds Maleva, the old gypsy woman who knows his secret: when the moon is full, he changes to a werewolf. She travels with him to locate the one man who can help him to die - Dr. Frankenstein. The brilliant doctor proves to be dead himself, but they do find Frankenstein's daughter. Talbot begs her for her father's papers containing the secrets of life and death. She doesn't have them, so he goes to the ruins of the Frankenstein castle to find them himself. There he finds the Monster, whom he chips out of a block of ice. Dr. Mannering catches up with him only to become tempted to monomania while using Frankenstein's old equipment.—J. Spurlin

Frankenstein Meets the Wolf Man

Frankenstein Meets the Wolf Man (1943)

Leslie Nielsen

Charlton Heston

Maximilian Schell

During a December 1944 German offensive in Belgium, a USO symphonic orchestra entertaining the front-line American troops is captured by the Germans. Initially, the Germans want to execute them, in accordance with orders received from Berlin. However, the orchestra leader, world-famous conductor Lionel Evans, persuades the Germans to spare their lives, arguing that his orchestra members are just civilian non combatants. Taken to the HQ of a German tank division, Lionel Evans and his orchestra members meet the German commanding officer, General Schiller, an avid music lover. General Schiller has respect for the musicians and he's hesitating about the standing order of executing all prisoners. However, the general's second-in-command, Colonel Arndt, is a blood-thirsty, by-the-book, type of fanatical officer who wants the prisoners shot. The general requests that Evans and his orchestra perform one more time, for him personally. Evans, out of pride and patriotism, refuses. But some members of his orchestra feel that performing for the General would keep them alive. A battle of wills between the General and conductor Evans ensues. The prisoners are kept in a castle's chapel, near the division's HQ. In the following days, the prisoners are fed and are allowed to practice their music in the chapel. When an orchestra member panics and tries to run, the German guards kill him. This prompts Evans to agree to perform one last concert for the German general and his officers. In the meantime, 2 American soldiers who had hid among the musicians before their capture, continue to pretend to be musicians, despite suspicions from the part of Colonel Arndt. Evans secretly agrees to allow the 2 soldiers to escape and seek help from the nearest Allied troops. During the escape attempt, one soldier is caught and shot. The other, is found dead in a field by the Belgian resistance. As the day of the concert approaches, one Belgian resistance member, posing as a local peasant, contacts Evans to tell him that an upcoming resistance attack will try to free the orchestra. The resistance attack would coincide with the concert for the Germans. General Schiller's tank division receives fuel and orders to join the offensive. Schiller orders his division out, while he remains behind for the concert. However, Colonel Arndt and a few men also remain behind to dig a mass grave in the castle's courtyard and to prepare the execution, after the concert. Tension builds up as the orchestra members, dressed in their official concert attire, file past the mass grave, to the chapel where the concert is to be performed. Conductor Evans wonders whether General Schiller will really have them executed or freed. Evans also wonders if the Belgian resistance attack will come in time to save them.—nufs68

Counterpoint

Counterpoint (1967)

Joan Staley

Doris Dowling

Joan Fontaine

Traveling Salesman Virgil Smith wants to sell his Grammophones in pre-WWI Austria. To enhance this, he especially wants to sell one to Emperor Franz Joseph, but at first the Austrian palace guards think he is carrying a bomb. He meets the Countess Johanna von Stolzenberg-Stolzenberg and after the usual misunderstandings, falls in love with her, this is especially assisted by his dog Buttons. But the relation between a Countess and an ordinary U.S. citizen cannot work in Austria, that is the Emperor's opinion. Is he wrong ?—Stephan Eichenberg

The Emperor Waltz

The Emperor Waltz (1948)

Sivi Aberg

Susannah York

Madeline Smith

George lives with her lover, Childie and plays a cheerful district nurse in a BBC soap opera. However, her character is to be killed off, and George realises that the only other job she can get is the voice of a cow in a children's tv programme. Her life begins to fall apart as Childie has an affair with a predatory tv producer.—Paul Baker

The Killing of Sister George

The Killing of Sister George (1968)

Skelton Knaggs

Cedric Hardwicke

Merle Oberon

In late-Victorian London, Jack the Ripper has been killing and maiming actresses in the night. The Bontings are forced to take in a lodger due to financial hardship. He seems like a nice young man, but Mrs. Bonting suspects him of being The Ripper because of some mysterious, suspicious habits, and fears for her beautiful actress niece who lives with them.—John Oswalt

The Lodger

The Lodger (1944)

Patricia Morison

Sherlock Holmes is intrigued when Dr. Watson's friend, Julian 'Stinky' Emery, visits and tells them of a strange robbery at his flat the previous night. Stinky is an avid collector of music boxes and has several quite expensive pieces in his vast collection. The previous night, someone broke into his flat and knocked him unconscious when he tried to intervene. All they took however was a simple wooden music box he had bought at auction that day for a mere £2. The box was one of three available for sale and as Holmes and Watson begin to trace the other purchasers, it becomes apparent that someone will stop at nothing, including murder, to retrieve all three. When Holmes learns the identity of the music box maker, he is convinced it contains directions to the retrieval of something very valuable that the government has kept from the public.—garykmcd

Dressed to Kill

Dressed to Kill (1946)

Barbara Stanwyck

Jody McCrea

John Dehner

After a band of Indians kill a group of soldiers, Sergeant Hook captures them and their leader Nanches. Among the prisoners is Nanches' son and the boy's white mother captured by them nine years earlier. Hook's assignment is to escort the mother and son to the woman's husband. Traveling by stagecoach they learn that Nanches has escaped and it's not long before he and his warriors show up intent on reclaiming the boy.—Maurice VanAuken

Trooper Hook

Trooper Hook (1957)

Charles Chaplin

Elspeth Dudgeon

Ruth Lee

Monsieur Verdoux is a bluebeard, he marries women and kills them after the marriage to get the money he needs for his family. But with two ladies he has bad luck.—Stephan Eichenberg

Monsieur Verdoux

Monsieur Verdoux (1947)

Milburn Stone

Lillian Randolph

Samuel S. Hinds

Unhappily married Scott Henderson spends the evening on a no-name basis with a hat-wearing woman he picked up in a bar. Returning home, he finds his wife strangled and becomes the prime suspect in her murder. Every effort to establish his alibi fails; oddly no one seems to remember seeing the phantom lady (or her hat). In prison, Scott gives up hope but his faithful secretary, "Kansas," doggedly follows evanescent clues through shadowy nocturnal streets. Can she save Scott in time?—Rod Crawford

Phantom Lady

Phantom Lady (1944)

Lucille Ball

A serial killer in London is murdering young women he meets through the personal columns of newspapers. He announces each of his murders to the police by sending them a cryptic poem. After a dancer disappears, the police enlist an American friend of hers, Sandra Carpenter, to answer advertisements in the personal columns, and lure the killer.—David Levene

Lured

Lured (1947)

Susanna Foster

Claude Rains

Hume Cronyn

Pit violinist Claudin hopelessly loves rising operatic soprano Christine Dubois (as do baritone Anatole and police inspector Raoul) and secretly aids her career. But Claudin loses both his touch and his job, murders a rascally music publisher in a fit of madness, and has his face etched with acid. Soon, mysterious crimes plague the Paris Opera House, blamed on a legendary "phantom" whom none can find in the mazes and catacombs. But both of Christine's lovers have plans to ferret him out.—Rod Crawford

Phantom of the Opera

Phantom of the Opera (1943)

26 YIFY Movies Found

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AdventureFamily

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ActionDrama

Documentary
Music

Adventure
Family

Comedy
Romance

Action
Drama

Adventure
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Crime
Drama

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Crime

Action
Adventure

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Horror

Action
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Comedy

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Crime

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Action
Comedy

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Action
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