Eleonora Giorgi

Giuliano Gemma

Ottaviano Dell'Acqua

Norbert Losch

Un uomo in ginocchio

Un uomo in ginocchio (1979)

Andrew Divoff

Norbert Weisser

Nicholas Guest

Juro Rasla

Alex shoots again. She has to kill a man, but shoots the wrong one. A high ransom is set on her, so she is visited by some head hunters. Well, she only could sit and wait and hope for a friend's help.—Anonymous

Nemesis 4: Death Angel

Nemesis 4: Death Angel (1996)

Ágnes Bánfalvy

Norbert Kovács

Aladár Laklóth

Miklós Kapácsy

Set in the politically troubled autumn of 1936, this story follows Zsigmond Gordon, a world-weary reporter asking unwanted questions about the seemingly unimportant murder of a young prostitute found beaten to death and dumped in a courtyard. While supposedly covering the funeral of fascist-leaning, real-life Hungarian prime minister Gyula Gömbös, Gordon's investigation leads him deep into the city's dark underbelly - a shady world of pornographers, fixers, all-night "smokers", boxing rings, seedy brothels, powerful crime syndicates and communist cells - all the way to the highest echelons of power, where one of Hungary's most influential business figures plans to make a fortune through his political ties to Germany's leadership - as long as he can somehow keep secret the fact that he is of Jewish heritage.

Budapest Noir

Budapest Noir (2017)

Louis-Do de Lencquesaing

Léa Drucker

Marc Zinga

Norbert Ferrer

Angèle, a young Ivorian woman, has always got by thanks to her chat and her nerve. To avoid reprisals from a gang of thugs, she manages to get hired as a nanny for Arthur, an 8-year-old boy from the upscale neighborhoods.

Les femmes du square

Les femmes du square (2022)

Catherine Deneuve

Jean-Pierre Lorrain

Michel Berto

Norbert Saada

This is the story of a scientist's daughter ,Louise , who grew up to be a cybernetics expert herself, and of her childhood friend ,Léo ,who enjoys scale models ;a nasty estate developer who plans a luxury apartment block ,"La Traviata " ,wants to throw them out of their property .But Louise and Leo strike back, holding up banks in the most unusual way , and with a little help of her robot,Manfred.—dbdumonteil

Ils sont grands ces petits

Ils sont grands ces petits (1979)

Norbert Növényi

Marc Bischoff

Julia Papp

Gina Moreno

The focus of Taxidermia is mood, tone and visuals rather than a specific plot narrative. The summary presented here relays the events in the film, but the manner in which they are presented in the film is equally if not more important that the events themselves. This summary should not be considered an adequate substitute for the experience of actually watching the film.Note: Hungarian names in the film and this summary are in "Eastern order" (family name first.)Morosgoványi Vendel (Csaba Czene) is a lowly soldier/orderly stationed at a remote Hungarian farmhouse in WWII. The farmhouse is occupied by Lieutenant Balatony Lajoska (Marc Bischoff), his obese wife (Viktória Kiss), and their two teenage daughters. Morosgoványi lives in a crude shed with pigs and spends much time having sexual fantasies about the young girls, typically while spying on them, masturbating or experimenting with his remarkable ability to shoot flames out of the end of his penis.Following the slaughter of one of the hogs, Morosgoványi is propositioned by Mrs. Balatony who pulls Morosgoványi down upon her in the wooden bathtub containing the pig carcass. They have vigorous and loud sex, with Morosgoványi fantasizing that he's actually screwing the Balatony daughters. Upon finishing, Morosgoványi falls asleep and it is apparent that he was fantasizing the entire encounter while actually copulating with the dead pig.The next morning, Lt. Balatony kicks open the door to the shed, and shoots the slowly awakening Morosgoványi in the back of the head, blowing his brains out. Mrs Balatony subsequently gives birth to a very large, fat baby. The lieutenant examines the boy lying in the wooden bathtub and discovers a pig-like tail on him. Without speaking a word, he retrieves a pair of pliers from the shed, calmly snips off the tail, and slaps the boy on the rump.Thirty years later Balatony Kálmán (Trócsányi Gergõ) still has his tail stump, and has grown into a hefty professional speed eater. In an stadium full of cheering fans, Kálmán and his friend Miszlényi Béla (Koppány Zoltán) compete for Hungary against the Russian team, shoveling huge spoonfuls of offal and other disgusting material into their mouths in an attempt to finish their enormous helpings first.Narrowly losing the initial round, Kálmán is berated by his uncle/coach for being distracted by Aczél Gizi (Stanczel Adél), the women's speed-eating champion who is present in the audience and cheering for both him and Béla, who also fancies Gizi. During the break between rounds, Kálmán and Béla trade jibes over Gizi while casually regurgitating the meal they have just gorged themselves.After wiping their mouths off, the competitors face up to the next round - chosen by the Russians to be a giant blob of gelatin/fat with various disgusting animal parts congealed within. Still distracted by Gizi, Kálmán suffers an attack of lock-jaw, and - unable to get the spoon out of his mouth - collapses backwards.Béla visits Kálmán, who is recovering in hospital with an enormous scar on his chest, Gizi by his side. Béla and Gizi blatantly flirt yet Kálmán appears not to mind, instead savoring the drop of sweat that falls onto his face from Gizi's hairy armpit. At his subsequent wedding to Gizi, Kálmán sings a folorn song about unrequited love while Béla convinces Gizi to "elope" with him. The "elopement" consists of taking her outside and drunkenly screwing her from behind while she looks through the window at her husband.We next see a sports factory where fat young boys are apprenticed to a government program to develop world-class speed eaters. Seated at an enormous trough of semolina, the stern coach blankets the trough with a few scoops of cocoa powder before starting the boys off on their training. In an office above the factory floor Kálmán is in training and is frustrated. Just at the time when he is attempting his professional comeback from injury, the International Olympic Committee has refused to recognize sport eating. While vomiting into a recycling machine, he complains to his coach.Gizi discovers that she is pregnant. Her and Kálmán's joy is obvious, but they are concerned by the Communist rules which require pregnant women to be reassigned to a particular factory which would negatively affect her calorie intake and thus her competitiveness in sport eating. They bribe the obstetrician, who gives them a choice between "cyst" and "myeoma" as a diagnosis which will apparently enable special treatment.While on holidays at the seaside, the famous Kálmán and Gizi are playfully suggesting names for their child when they are "invited" aboard the yacht of a visiting Russian dignitary. Before boarding, a flunky explains that they are expected to give a demonstration of their sport. Specifically, this involves eating 45kg of caviar (with a few bacon hocks thrown in) within 20 minutes. Gizi clearly struggles, perhaps concerned for the baby. Beneath decks, Kálmán supports her by reminding her of her previous glories. Back upstairs they are expected to attend dinner, but Gizi is so sick that she passes out face-first onto her plate.Another thirty years pass. We see Balatony Lajoska (Marc Bischoff), - painfully thin - at work at his taxidermy business. Cluttered throughout with various animals, the workshop shows a man who is dedicated to his work. Lajoska leaves his shop and travels to the grocery store where he purchases a huge volume of butter and chocolate. He is obviously smitten by the checkout girl, who ignores his creepy attempts at making eye contact. Lajoska visits the apartment of his father Kálmán, who is now a ridiculously immense naked blob of shapeless flesh. The chocolate bars are for Kálmán, who boasts that by leaving the silver wrappers on he can increase his intake from 400 to 570 per hour. The butter is for Kálmán's super-sized cats, who lurk menacingly behind iron bars in their porcelain-tiled lair.Kálmán clearly despises his son, partly because of his profession ("carcass stuffer") but mostly because he is so skinny. Lajoska endures a barrage of insults from his father as he cleans the house and the cage. Kálmán is too fat to move and even needs his son to change his bedpan for him. Kálmán's life revolves around his enormous cats and his television, which he swears at while watching his former wife Gizi coaching an American champion speed eater.Back at his taxidermy shop, Lajoska is asked by a dapper businessman for his help regarding a special project. "Domestic or wild?" The businessman smirks and admits "Domestic". Peering into the customer's paper bag, Lajoska nods and accepts the work.Again at the grocery store, the same shopping list and the same uncomfortable stare at the checkout. At Kálmán's apartment, his father needles Lajoska with continued insults. When he calls his son "cyst", Lajoska angrily confronts him about how ungrateful he has been. The two get into a terrible argument, throwing chocolate bars at each other. Lajoska storms out suddenly, telling his father he can die for all he cares.Lajoska throws himself into his work. We see extreme closeups of his work under a magnifying class as he prepares various animals for mounting. Back at the grocery store a few days later, Lajoska is buying a small amount of butter and chocolate; the fight with his father was probably the latest in a long series. The female clerk is gone, replaced by a man.At Kálmán's apartment, Lajoska realizes something is wrong. Having left the cage open after their terrible fight, the cats have attacked and killed Kálmán, chewing a hole into his enormous gut. A string of entrails leads back into the cage where a pair of satisfied cats sit licking their chops.Lajoska embalms his father, stuffing straw into his stomach through the holes the cats gnawed. We next see him strapped standing into an elaborate contraption in the basement of his workshop. Pumps slowly sigh, liquid flows through clear tubes, syringes dive into flesh, and trays of scalpels and other vicious medical instruments move past on articulated arms.With the aid of mirrors, clamps and levers, Lajoska begins the exacting and painstaking work of eviscerating himself. There is no doubt as to his intentions and progress; we are shown in exacting detail scalpels slicing flesh, opening body cavities, removing organs. Lajoska guts himself in front of us.With trembling hands, obviously exhausted from his work, Lajoska finally sews up his own sweating torso. Completing the taxidermy, he pushes a button and we see a razor-sharp blade crank slowly around to the front his neck. After a few calm breaths, the blade is released and via a spring it whips around behind, decapitating Lajoska. A moment later, a saw falls on his right arm, blood gushing as it's severed just below the shoulder.We cut to the businessman returning to the shop. Unable to locate the proprietor, he goes into the back room and discovers, in the same paper bag, the completed work he requested of Lajoska: a glass globe containing a tiny human fetus. Satisfied, he is about to leave a stack of cash on the bench, when he changes his mind. Venturing further into the shop, he eventually makes his way down to the basement where he discovers Lajoska.We cut immediately to the same businessman at an avant-garde art gallery, lauding the artistic genius of Balatony Lajoska. The glitterati are drinking champagne and eating hors dourves from a porcelain pig.On display in the gallery are two exhibits: firstly: Balatony Kálmán, resplendent in golden tights with a snarl of cat fur protruding from the hole in his magnificent belly, but primarily Balatony Lajoska - minus his head and right arm, standing casually naked with a stitched torso, looking more like a classical Greek statue than a man who mutilated himself.

Taxidermia

Taxidermia (2006)

Vincent Lacoste

Vicky Krieps

Rémy Roubakha

1956. Algeria is a French colony. Fernand and Helene are madly in love. Fernand is an activist, fighting for independence alongside the Algerians. Helena is fighting for Fernand's life. History will irrevocably change the course of their destiny.—Happy_Evil_Dude

Faithful

Faithful (2020)

Adolf Hitler

Menachem Begin

Norbert Wollheim

Steve Brand

From an early age Yossi Klein received a special education. He was prepared for another Holocaust. So were other children in Boro Park, the largest Orthodox survivor community in America, and this candid portrait of a young Jewish activist coming to terms with his father's traumatic history is as bracing as any fiction. Through his writing and activism, Yossi attempts to carry on the legacy of struggle passed on to him. A portrait emerges of a young man whose world view and personal outlook have been principally shaped by an event that took place before he was born.—Sundance Institute

Kaddish

Kaddish (1984)

Lisa Kudrow

Suzanne Savoy

Norbert Leo Butz

Rueby Wood

13-year-old Nate Foster is an unpopular kid who entertains vivid fantasies of becoming a big Broadway musical star. In the meantime, however, Nate can't even get a decent role in his middle school's drama productions; he gets cast as a tree in the chorus instead of in the lead role he craves. However, when he and his best friend Libby mastermind a daring trip to New York City without their parents' knowledge, to audition for "Lilo and Stitch: The Musical," Nate might be on the verge of fulfilling his lifelong dream. But first, he must overcome a series of comical obstacles that threaten his Broadway adventure with disaster at every farcical turn.

Better Nate Than Ever

Better Nate Than Ever (2022)

Bernd Feuerhelm

Berryt Bohlen

Ernst Kuchling

Daniel, a young man from the provinces come to the city and moves from one gay subculture to the next. His adventures begin on the streets of Berlin, where the shy brunette Daniel meets the blonde Clemens, who invites him home for coffee and offers him a place to stay. Soon Daniel is living with Clemens and believes he has found the love of his life. The two try to imitate a bourgeois marriage and its lifestyle. But after four months of tedium, Daniel is cruised by a rich older man who entices him to move into his villa, where he encounters a group of older gays, pretentious in their appreciations of fine art and classical music, who fawn over him.

It Is Not the Homosexual Who Is Perverse, But the Society in Which He Lives

It Is Not the Homosexual Who Is Perverse, But the Society in Which He Lives (1971)

Chad Stahelski

Tim Thomerson

Xavier Declie

Alex again fighting the cyborg mercenaries in 1998 East Africa. This time, Alex finds that she has 20 half sisters who are waiting for her to return to 2077. Central Command wants Alex captured alive and scanned to see if her DNA is a strong and more powerful strain than the normal. But Alex may be too tough for Farnsworth to capture.—Tony Fontana

Nemesis 3: Time Lapse

Nemesis 3: Time Lapse (1996)

Horst Pasderski

Thilo Bohatsch

Norbert Hahn

Wolfgang Zölck

The pert Tina is sick of school and the muff in her Bavarian village. She wants to go with Tino - attendant of a visiting auto-scooter - who has to leave the place for dubious reasons. However he lets her down and leaves alone. Now Tina persuades fellow student Robby, who has a crush on her, to take her on a random trip with his motor-scooter. It seems only to be a matter of time until he realizes that she's just using him to follow her boyfriend - or will the shy Robby manage to win her heart on their chaotic journey?—Tom Zoerner

Hangin' Out

Hangin' Out (1983)

Imogen Poots

Penn Badgley

William Sadler

Greetings from Tim Buckley follows the story of the days leading up to Jeff Buckley's eminent 1991 performance at his father's tribute concert in St. Ann's Church. Through a romance with a young woman working at the concert, he learns to embrace all of his feelings toward the father who abandoned him - longing, anger, forgiveness, and love. Culminating a cathartic performance of his father's most famous songs, Jeff's debut stuns the audience and launches his career as one of the greatest young musicians of his time.—Production Weekly

Greetings from Tim Buckley

Greetings from Tim Buckley (2012)

Norbert Terry

Gianfranco Longhi

Jean-Jacques Loupmon

Reinhard Montz

This long-lost masterpiece of gay erotic cinema centers on a handsome young stud who rides his motorcycle through a myriad of sexual encounters, from a soccer game's locker room to a dreamy and unsettling orgy where the film reaches its melancholic peak. Newly scanned in 2K from the original camera negative and directed with absolute grace by the mysterious Dietrich de Velsa (aka Francis Savel / Frantz Salieri): this former painter was also the owner and artistic director of one of the first transvestites' cabaret of Paris, La Grande Eugène. Years later, he collaborated with Joseph Losey on Mr. Klein (1976) and Don Giovanni (1979). EQUATION TO AN UNKNOWN is his only film and stands without a doubt as a masterpiece and the best French gay adult film ever made.—Altered Innocence

Equation to an Unknown

Equation to an Unknown (1980)

Josephine Chaplin

Klaus Kinski

Herbert Fux

Norbert Gescher

A Swiss-German horror film with Klaus Kinski as the notorious Jack the Ripper. A respected doctor by day, Kinski dismembers London prostitutes by night, until the local Inspector's girlfriend (Josephine Chaplin) goes undercover to catch him.—Ørnås

Jack the Ripper

Jack the Ripper (1976)

Christopher Lambert

Natasha Henstridge

The Russian government has collapsed. Amidst the chaos, riots, and struggle for power, a terrible weapon has leaked out. Virulent microflage, a deadly germ of the cold war has begun to spread across Eastern Europe, killing massive numbers of people. Now, in a quarantine camp set up for immigrants in 2017 Boston, one vicious murderer has the disease. Within two hours he will become violently contagious, and it is up to a team of officers in a race against time to track him down and stop him... if he doesn't kill them first.—Eric Yang

Adrenalin: Fear the Rush

Adrenalin: Fear the Rush (1996)

Riccardo Scamarcio

Marina Foïs

Norbert Ortner

Alessandro Fiorucci

From campy lies to sexy surprises, this collection of vignettes captures the follies of several men as they fumble with fidelity and relationships.

The Players

The Players (2020)

Jon Cryer

Frank Whaley

Patricia Mauceri

Two young men (Jon Cryer, Rick Stear) who have been friends since early childhood decide to go on a trip to find a third friend (Rafael Baez) who has long since disappeared. Stories they have heard indicate that the friend has been seen in an apparently rambling, incoherent state at Coney Island. Their trip leads them to a number of adventures involving the otherworld-like life at the Park and revelations related to their own pasts including the death of one's sister, a failed past relationship, financial failings, and alcoholism.—John Sacksteder

Went to Coney Island on a Mission from God... Be Back by Five

Went to Coney Island on a Mission from God... Be Back by Five (1998)

Jürgen

Wolfgang

Norbert

Peter

A brave prince wants to win the heart of a stubborn princess by finding the singing, ringing tree for her. He finally locates it in the magical realm of an evil dwarf who offers him a deal: he can keep the tree if it starts singing before sundown--which it will only do if the princess truly loves him. Otherwise, he will be turned into a bear. Reminiscent of fairy tales by the Brothers Grimm.—c.winter

The Singing Ringing Tree

The Singing Ringing Tree (1957)

Norbert Delozier

Marie Sanson

Janine Huet

Edouard Besnehard

Twenty-something François collects boxes and bottles and resells them to shopkeepers. He lives with his insensitive mother and stepfather. Mado a 11-year old, outsider of her family because of the oddness in expressing her feelings gets kidnapped by François. He takes her to live with him in the attic of his parents' home. Despite the circumstances, an increasingly comforting relationship evolves till the police discovers them. They see the situation under a completely different point of view. Based on a true story.—Anonymous

The Hussy

The Hussy (1979)

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