Tinto Brass

Eli Roth

Laura Gemser

Ruggero Deodato

Who was Joe D'amato- Aristide Massaccesi under his civil status? A genius of horror in the USA, a master of eroticism in France, the king of porn in Italy. A man with a thousand pseudonyms capable of making over 200 films while simultaneously holding the roles of producer, director, author, director of photography and even camera operator. An artisan of cinema as he liked to call himself, capable of working on all film genres. From spaghetti western to post-atomic, decamerotic to glossy eroticism, and blockbuster porn to bloody horror. Guided by the aesthetics of extremes and supported by an undeniable technical ability, Joe D'Amato pushed himself, and the viewer, beyond all limits following with dedication three rigid principles that have become his stylistic code: Amaze, Shock, Scandalize.

Inferno Rosso: Joe D'Amato on the Road of Excess

Inferno Rosso: Joe D'Amato on the Road of Excess (2021)

Lucas Di Medio

Massimo Vanni

Danilo Maria Valli

Married to a high-ranking Italian official, Livia (Galiena) has turned her life into a complicated mess via her affair with a German soldier, Helmut (Garko), a relationship conveyed in flashbacks embedded within a tragic framing story filmed in black and white. Livia's passionate affair is interspersed with a number of separations from her love and sometimes shockingly sordid detours, even using her body to get what she needs. Meanwhile Helmut takes advantage of his rise up the SS ladder, setting the stage against a backdrop of fascist-controlled Venice for a reckoning for everyone involved.—Mondo Digital

Black Angel

Black Angel (2002)

Frank Finlay

Stefania Sandrelli

Gabri Crea

Literature professor Eduardo--a man nurturing a strange, almost morbid bond with his statuesque young wife Silvia--struggles to understand why she abandoned him. Convinced that Silvia has left him for another man, Eduardo now seeks solace elsewhere, unable to resist the pure magnetism of scantily clad live-in nurse Fausta and Pascasie, his seductive Congolese student. However, tormented by suspicion and still obsessed with regaining Silvia's trust, Eduardo is determined to give his all to reconstruct the truth, assuming the role destiny has assigned him: that of the man who loves watching.—Nick Riganas

The Voyeur

The Voyeur (1994)

Armando Marra

1940s Venice. As fascism makes its presence felt, the retired art critic, Professor Nino Rolfe, and his much younger wife, Teresa, feel their passion is waning. To help Teresa shed her inhibitions and rekindle their relationship, the grizzled intellectual has a wild idea: he lets his imagination run wild and records his sexual fantasies in a secret diary, hoping that Teresa will soon find it and read it. In his frank confessions, Nino urges his beloved Teresa to rid herself of modesty--all she has to do is find the diary's precious key. Will innocent Teresa ever discover Nino's unspoken desires?—Nick Riganas

The Key

The Key (1983)

Serena Grandi

Susanna Martinková

Maurizio Prudenzi

In verdant 1950s rural Italy, charming bride-to-be Lola has no intention of walking down the aisle as a spotless virgin. At the same time, Masetto, her old-school bread-baker fiancé, has other plans, insisting on deflowering his beloved sweetheart not earlier than the night of their wedding. Lola, however, is impatient and, above all, dissatisfied. As a result, Lola never misses an opportunity to flaunt her smooth, well-rounded derrière while riding her bicycle. And before long, wild curiosity turns into bottled-up sexuality, inflaming Lola's unspoken fervent desires. Undoubtedly, frivolous Lola knows what she wants, and she wants it now. But the question remains. Will Masetto keep her waiting?—Nick Riganas

Frivolous Lola

Frivolous Lola (1998)

Cinzia Roccaforte

Gabriella Barbuti

Sara Cosmi

This film is a series of letters, photos and video cassettes which women often send in to certain newspapers. By visualizing their story-telling (the name given by the psychologists to their fantasies) the film portrays the confessions, the secret longings, the adventures, recollections, dreams, desires and fantasies of these women. It is an open secret that most women dream of forbidden affairs, secret lovers and hasty encounters but when it comes down to it they lack the courage to pursue their dreams.—Miguel Longo

P.O.Box Tinto Brass

P.O.Box Tinto Brass (1995)

Helen Mirren

Franco Nero

Tinto Brass is one of the most important Italian directors, recognized worldwide as the master of authorial erotic cinema. This documentary narrates the formation years of Tinto Brass in Paris at the Cinématèque Française next to Roberto Rossellini and Joris Ivens, discussing Cinema with other young filmmakers with renowned names such as Bresson, Godard. His return to Italy and his first masterpieces like "Chi lavora è perduto", "L'urlo", "Nerosubianco", expression of an anarchic, innovative, experimental cinema full of linguistic innovations. An almost forgotten cinematography that the documentary will bring to light thanks to the analysis of Marco Müller, Gianni Canova, to then reach the films on power like Salon Kitty and Caligula which decreed an enormous success with the public. Until reaching today, Brass as a media character and his iconography of erotic pleasure and voyeurism, in the tales of Gigi Proietti, of the Academy Award Winning Helen Mirren, Franco Nero and the two time Academy Award winner Sir Ken Adam. This film wants to tell of a nonconformist man, who "loves Love" in a world that adores violence, his enduring every censorship, always and foremost delivering a cinema whose superiority was form over content, signifier over significance. "The ass is the mirror of the soul" is not a simple boutade, but the poetic synthesis of a precise ethical, aesthetic and philosophical project, which sees the joy in living, in the affirmation of Eros over Thanatos the only free path for the individual.—Press office

Istintobrass

Istintobrass (2013)

Debora Caprioglio

John Steiner

Walter Midolo

Trieste, Italy, 1957. A few months before the general ban on brothels, inexperienced country girl Mimma becomes Paprika to finance her worthless boyfriend as a prostitute. Amid the hustle and bustle of Rome, Paprika drifts from one brothel to another as she learns the ropes and works her way up one client at a time. However, as Paprika embarks on a stormy journey of self-discovery and sexual liberation, the sense that something is missing in life haunts her. Is Paprika meant to experience a passionate romance and solve the great mystery of true love?—Nick Riganas

Paprika

Paprika (1991)

Yuliya Mayarchuk

Vittorio Attene

Chiara Gobbato

In London, the Venetian Carla Borin is searching an apartment to share with her beloved boyfriend Matteo. She meets the lesbian real estate agent Moira and rents a large apartment. When the jealous Matteo finds some pictures and letters from her former lover Bernard in Venice, he hangs up the phone and the upset and amoral Carla has a brief affair with Moira and intercourse with an acquaintance in a party. When Matteo comes to London, he concludes that his lust for Carla is more important than his jealousy and her behavior.—Claudio Carvalho, Rio de Janeiro, Brazil

Cheeky

Cheeky (2000)

Rossana Di Pierro

Rosa Maria Pezzullo

Maurizio Martinoli

Unfortunately, Paolo and Diana are going through a rough patch in their relationship after five years of marriage. Diana, however, wants to live life to the fullest. And as her forbidden desires grow stronger by the day, Diana gives in to lust and embarks on a secret mission to find pleasure. As a result, Diana recounts her passionate sexual fantasies to her unaware husband to rekindle the fire in their uneventful marriage; now that she has discovered the joys of adultery, Diana is determined to spice up their dormant sexual life at all costs. But they say all is fair in love and war. Will things work out for Diana and Paolo in the end?—Nick Riganas

All Ladies Do It

All Ladies Do It (1992)

Mario Gagliardotto

Silvio Marsaglia

Andrea Di Blasio

After only six months of marriage, disenchanted homemaker Marta feels her passion for Dario, her boring literary editor husband, wane. As a result, free-spirited Marta takes matters into her own hands and lets herself get carried away by handsome Frenchman Leon while admiring the vivid murals of Palazzo del Te in Mantua, Italy. Of course, always-suspicious Dario has already noticed changes in beautiful Marta's behaviour--her scandalous affair behind his back came as no surprise to him. After all, Dario had it coming. And observing neglected Marta embrace her passionate transformation, Dario realises a dash of infidelity might be all it takes to stir his dormant enthusiasm for her. However, is Dario's newfound interest in Marta a case of too little, too late?—Nick Riganas

Monamour

Monamour (2005)

Raffaella Ponzo

Antonio Salines

Osiride Pevarello

1) "Alibi" ("Alibi") While celebrating the seventh anniversary of marriage in a hotel in Casablanca, Morocco, Gianni convinces his wife Gianni to do a threesome with the room servant Ali. 2) "Double Trouble" ("Dupla Confusão") While playing tennis with Bruno, Stefania has intercourse with him in the bathroom. Meanwhile, Bruno's wife Erika does with Stefania's husband Luigi in his office, to get the position of guest in a talk show. 3) "Two Hearts and a Hut" ("Dois Corações e Uma Cabana") Hotel maid Katarina who wants to open their own hotel with her fiance Ciro is tipped with a high amount and prostitutes with a German couple of sadistic and masochistic. 4) "Jolly Bangs" ("Casos") While on the beach, Raffaella tells her husband Ugo her erotic affairs with other people for his satisfaction. 5) "Honni Soit Qui Mal y Pense" ("May Evil Be with him Who Thinks Evil") The photographer Franco wishes to have anal sex with Anna, who tells him that he can do only after marrying her. When they are invited to a party, she loses her virginity. 6) "Call me Pig, Cause I Like It!" ("Chama-me de Porca, Porque Eu Gosto!") While in London in their honeymoon, Rosy and Oskar disclose the real intentions of a voyeur.—Claudio Carvalho, Rio de Janeiro, Brazil

Fallo!

Fallo! (2003)

12 YIFY Movies Found

6.9 / 10

Documentary

5 / 10

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Drama

5.5 / 10

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5.4 / 10

Drama
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5.1 / 10

Action
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5.1 / 10

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6.4 / 10

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5.5 / 10

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5.4 / 10

Action
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5.2 / 10

Action
Comedy

5.2 / 10

Action
Drama

4.9 / 10

Action
Drama

12 YIFY Movies Found

6.9 / 10

Documentary

5 / 10

ActionDrama

5.5 / 10

ActionDrama

5.4 / 10

DramaHistory

5.1 / 10

ActionComedy

5.1 / 10

ActionComedy

6.4 / 10

ActionBiography

5.5 / 10

ActionDrama

5.4 / 10

ActionComedy

5.2 / 10

ActionComedy

5.2 / 10

ActionDrama

4.9 / 10

ActionDrama

Action
Drama

Action
Drama

Drama
History

Action
Comedy

Action
Comedy

Action
Biography

Action
Drama

Action
Comedy

Action
Comedy

Action
Drama

Action
Drama