Samuel L. Jackson

Eddie Murphy

Tatyana Ali

Deon Richmond

After achieving fame with Saturday Night Live and Beverly Hills Cop, Eddie Murphy released a film version of one of his live stand-up performances. He mainly focuses on the topics of divorce and relations between the sexes, but also goes into some of the problems he's encountered because of fame, including offended listeners and fans who continually greet him with his unprintable catch phrases.—Jean-Marc Rocher

Eddie Murphy: Raw

Eddie Murphy: Raw (1987)

Tommy Lee Jones

Ali MacGraw

Ryan O'Neal

Andrew Duncan

The love story of young adults Oliver Barrett IV and Jenny Cavilleri is told. Oliver comes from an extremely well off and old money New England family, the Barrett name which holds much gravitas and which is plastered especially all over Harvard where Oliver is in pre-law. Like those before him, he plans on attending Harvard Law School, which is not an issue in either the school not accepting him or he not wanting to attend. He has an extremely stiff relationship with his parents, especially his father, Oliver Barrett III, who loves his son in the old school way. Jenny, a music student at Radcliffe, comes from a working class Rhode Island background, she working her way through the program before she plans on going to Paris to further her studies. Unlike Oliver's relationship with his father, Jenny has a very casual one with her baker father, who she calls by his given name Phil. When Oliver and Jenny meet, there are immediate fireworks - she always with a quick quip to put him in his place - both of a good and bad kind, but they both quickly come to the realization that they are in love with each other. They have many obstacles to overcome in having a committed relationship, outwardly his father's disapproval of someone like her not being Barrett material being arguably the the biggest. However, other things that happen in the natural course of life and death may trump all.—Huggo

Love Story

Love Story (1970)

Masoameh Salimi

Ali Reza Naderi

Frangis Rahsepar

Masood Mansouri

The film opens with a long take of the (unexpectedly?) beautiful Iranian countryside, in wide-shot--a tiny-looking International Scout making its way down a winding road only barely noticeable in an unremarkable corner of the scene, while the vehicle's four occupants, recorded in production sound instead of ADR, can be heard quietly bickering about whether or not they've misunderstood their driving directions. Even at this early juncture two things are inescapably apparent about the experience that this film will represent: First, our director sees no reason to explain himself--you know as much about who these people are and where they're going as anyone else, and no more than you're supposed to--and second, if you'll pardon the pun, this film is hardly in a hurry to get anywhere. Through a series of long takes shot at different angles along the route, this anti-scene of four guys gently squabbling about the proper turnoff continues for over five and a half minutes, long after the opening titles would have been over and done with, had there even been any.Eventually the quartet finds their intended destination--a small village carved into a steep hillside and notable to our eyes as the sort of un-even roofed hodgepodge that we'd be less surprised to find in desert Africa. Indeed after finding a young guide on the outskirts of town, our presumptive lead character (and the only one of the four whom we will ever see on camera throughout the film) makes his way literally across the tops of the earthen dwellings that will encompass his universe for the duration of the picture, hopping first up two feet to transit the next interval, and then down again.Kiarostami devotes this opening reel of the film to establishing not just the film's tempo, but also its principal source of mystery--that these four obviously urban Tehranians have checked themselves into the closest semblance of a guesthouse, apparently for the purposes of monitoring the health of an infirmed and elderly matriarch, convalescing at the opposite end of the village. Throughout his long walk across the rooftops with the boy who will be his foil, our lead character--"The Engineer"--inquires repeatedly and with implied familiarity about the old woman's health, the boy's side-mouthed answers revealing either discretion or ignorance; we aren't supposed to know which.By the time we actually discover what these four men are doing here and why they've taken so much interest in the health of an old woman, it no longer really matters to us anymore: Like the characters themselves, we've become immersed in the day-to-day rhythm of this at once surreally alien and improbably familiar little community. Its cranky restaurant matron, her semi-estranged and possibily philandering husband, the arrestingly pregnant and then arrestingly un-pregnant innkeeper, the hauntingly beautiful young woman who milks a cow in darkness so that their collective guests might enjoy just one more locally tricky little comfort from home.The film is described by assorted critics as a mystery, and to that extent they're right: we are meant to wonder, of course, who these people are and how they came to find themselves in such a far-flung place with such a seemingly insignificant agenda (indeed at one point in the film the Engineer's three accomplices become so bored that they literally disappear, never to be seen again). But to describe the film with this single identifier is to entirely miss Kiarostami's point. There is mystery in life, of course, but it isn't the glamorous, maybe-they're-spies kind of mystery that we so often find ourselves escaping into at the movies; it is rather the mystery of mundanity--the strange shooting-script by which all of us on this homey little planet of ours seem to play out the same micro-dramas, the same rivalries, the same petty squabbles. The mystery in life is that it could contain no real mystery, and yet seem so mysterious.

The Wind Will Carry Us

The Wind Will Carry Us (1999)

Wilt Chamberlain

Jerry Lewis

Diana Ross

Arthur Mercante

'The Trials of Muhammad Ali' covers Ali's toughest bout: his battle to overturn a five-year prison sentence for refusing US military service in Vietnam. Prior to becoming the most recognizable face on earth, Cassius Clay became Muhammad Ali and found himself in the crosshairs of conflicts concerning race, religion, and wartime dissent. 'Trials' zeroes in on the most controversial years of Ali's life, when an emerging sports superhero chooses faith and conscience over fame and fortune.—Anonymous

The Trials of Muhammad Ali

The Trials of Muhammad Ali (2013)

Brian Baumgartner

Ali Cobrin

Jenna Willis

Kelly Stables

On their first date, Alex and Zoe venture out to see a movie at a local theater. The film ends and the two become so engaged in a heated discussion that they do not notice the theater closing, leaving them locked inside. Their adventure starts out light and comical as they search for an escape and quickly find themselves falling for one another. Suddenly, a secret is revealed about Alex that abruptly changes Zoe's perception of the night. Perhaps, their escape room experience was not as accidental as she initially thought.

One Last Night

One Last Night (2018)

Ana Kayne

Barbara Rosenblat

Gil Perez-Abraham

Ali Ahn

Marco is keeping a big secret from his wife Libby and doesn't know how to tell her. But after three miscarriages, Marco has no choice. When he tells Libby that his culture believes anyone who marries outside his community is cursed to never have kids, she thinks he's lying. Libby takes him to an ex-boyfriend geneticist, Seymour, to help talk some sense into him. When Seymour accidentally discovers Marco's people might be special from a scientific perspective, he offers to help them overcome their infertility. But in return, Seymour wants to pry open Marco's secretive community so he can publish on his groundbreaking discovery. Marco must decide between having a future with Libby or betraying his community.—Carylanna Taylor

Anya

Anya (2019)

Akshay Kumar

Ajay Devgn

Sonu Sood

Sara Ali Khan

Simmba is an orphan from Shivgadh from where our beloved Singham was born and raised. Contrary to the philosophies of Singham, Simmba believes that a Corrupt Officer's life is an ideal life which inspires him to become one. While Simmba enjoys all the perks of being an immoral and unethical Police Officer, a twist in the tale transforms him and forces him to choose the righteous path.

Simmba

Simmba (2018)

Michelle Morgan

Ali Froggatt

Ravonna Dow

Vince Mok

When home-schooled Arielle's long-estranged mother mysteriously returns to their isolated family farm, it drives a wedge into her seemingly-perfect relationship with her father and reveals a chilling, dark past.

Ice Blue

Ice Blue (2017)

Gamze Sam

Ali Sam

Alit Sam

Veli Sam

One of the last female wild beekeepers in Europe must save the bees and return the natural balance in Honeyland, when a family of nomadic beekeepers invade her land and threaten her livelihood. This film which is filmed in Macedonia is an exploration of an observational Indigenous visual narrative that deeply impacts our behavior towards natural resources and the human condition.—Stef

Honeyland

Honeyland (2019)

Nimra Bucha

Robin Dunne

Ali Kazmi

Juggan Kazim

Craig Evans, an American expat living in Karachi, Pakistan, is married to Insiya Zia, a Pakistani doctor. During a routine hospital round, she contracts a virus called the MN-2. A devastating pathogen, the virus causes uncontrollable outbursts of violent rage. With no cure in sight, the doctors have no choice but put Insiya in a state of induced coma. Meanwhile, the virus continues to spread through the country. People infected by it are referred to as 'carriers'. The only relief is a drug called Sedare. It is manufactured by Ingenec, a local pharmaceutical company, and sold as an adhesive patch. It is so ubiquitous that in the market it is simply called the 'patch'. However, it's not a cure; it only calms the symptoms for a few hours at a time. The patch is also useless in advanced stages of the disease. As Insiya's condition deteriorates, it appears Craig has accepted her impending death. But the dead body of an investigative reporter turns up in a sewer, setting off a domino of events that leads Craig to the mystery behind the virus...and to the last chance at saving his wife.

Altered Skin

Altered Skin (2018)

Richa Chadha

Manjot Singh

Pankaj Tripathi

Ali Fazal

College. Three of the most important years of your life. Three years of studies (at times) and sheer indulgence. Indulgence in all the little pleasures that a carefree life has to offer. But it isn't always about raging, fuchacha parties, college fests, races, and churning out ways to whack some extra pocket money from your parents. It's sometimes hard, ugly, and complicated, and more so when you really need to gain admission to the coolest college in town and you know you don't deserve it. And to top that, you get yourself involved in the most bizarre situations that could crack you up before you crack them.—Excel Entertainment

Fukrey

Fukrey (2013)

Ali Liebert

Juliana Wimbles

Nicole Oliver

Peter Porte

After visiting one of Philadelphia's last old-fashioned bookstores, handsome Aiden Harris has a fluke traffic accident, landing him in hospital with major amnesia. The bookstore's eager beaver employee Darcy Archer feels guilty, visiting him, minding his dog, trying to help identify him and his mystery life. They soon bond over books, dogs and more, but a ring in his apartment suggests he has a fiancee in another state, yet nothing is quite what it seemed. Meanwhile the store owner is retiring and wants a successor, or else he'll sell to a soulless chain.—KGF Vissers

A Gift for Christmas

A Gift for Christmas (2017)

Faithe Herman

Mira Sorvino

Nina Senicar

When John Hutton mysteriously awakens with no recollection of his past, yet with the ability to speak dozens of languages fluently, he decides to start a new life. Years later, he is sent tumbling down the proverbial rabbit hole after meeting another man that shares a similar condition and learning that there are several more individuals like him, all amnesiacs with extraordinary abilities. With the help of a private detective, John races against time before his past can rise up to destroy himself and his family.—Lexicon Entertainment

Doe (2018)

Lew Temple

Hassie Harrison

Austin Nichols

"The Iron Orchard" is the story of Jim McNeely, a young man thrust into the vibrant and brutal West Texas oilfields in 1939, who works his way through the ranks to ultimately become a formidable wildcatter.

The Iron Orchard

The Iron Orchard (2018)

Husam Aldin M. Ali

Hans-Peter Böffgen

Adriano Aprà

Bianca Florelli

In expressive, melodic tones, the fraternal pair debate God's true message and intent for His creations, a conflict that leads their followers - in extravagantly choreographed song and dance - towards chaos and sin.

Moses und Aron

Moses und Aron (1975)

Ali Larter

Mark Webber

Stephen Collins

Keri Lynn Pratt

Nicole (Melissa Joan Hart) and Chase (Adrian Grenier) are neighbors but are from two very different worlds. Despite their differences their love lives have a common theme. Their most recent plans for love have fallen through putting them both in a desperate state to fix them. Both Nicole and Chase conspire to pretend to find a romantic interest in each other, with the hopes of attracting the "ones who got away" from them. Leading up to the big school dance, Chase and Nicole find that their scam worked out better than they had planned.

Drive Me Crazy

Drive Me Crazy (1999)

Sarah Shahi

Alice Eve

Harrison Ford

Mahershala Ali

Crossing Over is a multi-character canvas about immigrants of different nationalities struggling to achieve legal status in Los Angeles. The film deals with the border, document fraud, the asylum and green card process, work-site enforcement, naturalization, the office of counter terrorism and the clash of cultures.—Wayne Kramer

Crossing Over

Crossing Over (2009)

Linda Cardellini

Viggo Mortensen

Frank Vallelonga

In 1962, tough bouncer Frank "Tony Lip" Vallelonga searches for work while his nightclub is closed for renovations. The most promising offer turns out to be the driver for African-American classical pianist Don Shirley for a concert tour into the Deep South states. Although hardly enthused at working for a Black man, Tony accepts the job and they begin their trek armed with "The Negro Motorist Green Book," a guide for safe travel through America's racial segregation. The snobbishly erudite pianist and the crudely practical bouncer can barely get along with their clashing attitudes to life and ideals. However, as the disparate pair witness and endure America's appalling injustices on the road, they find a newfound respect for each other's talents and start to face them together. In doing so, they nurture an understanding and a friendship that would change both their lives.—Kenneth Chisholm (kchishol@rogers.com)

Green Book

Green Book (2018)

Bethany Antonia

Joanna Scanlan

Ali Khan

Isy Suttie

Super close Mother LYN and daughter IONA (Dafty One and Dafty Two) are excited for their new life in a new town. Determined to make a success of things after a tricky start, Iona becomes 'best friends' with KEELY, STACEY and CHELSEA. Used to being Iona's bestie herself, Lyn feels left out. So Lyn also makes friends with BELINDA, her neighbour. As much as Lyn and Iona pretend to each other that things are going great, things aren't going great for either of them. Iona struggles with the girls, who act more like frenemies than friends, and Belinda won't give Lyn her stepladders back. Both Mother and Daughter retreat into fantasy and lies.

Pin Cushion

Pin Cushion (2017)

Deepika Padukone

Saif Ali Khan

Dimple Kapadia

Gbemisola Ikumelo

The story revolves around Gautam Khanna (Saif Ali Khan), Veronica D'Costa (Deepika Padukone) and Meera Gupta (Diana Penty). Gautam Khanna (Saif Ali Khan) always had a dream to go to London and have a job. His dream is fulfilled and he gets a job. But his mom, Nita (Dimple Kapadia) says that she has to finalize his marriage to a girl and so he has to wait. She finds her perfect 'bahu' in Meera Gupta (Diana Penty). But she does not tell Gautam about this and tells Meera's parents even to not tell Meera. She tells Gautam to take her friend's daughter Meera as she has an assignment in London for 3 days. On the flight, Meera and Gautam befriend each other. In London, Meera has some problems completing her assignment and therefore fails to give it on time. She loses her job but then Gautam consoles her. They go on a beach party and there they meet Veronica D'Costa (Deepika Padukone). After some days of living with each other, Gautam falls in love with Veronica. But the thing that Gautam doesn't know about her is that Veronica is already in love with Jeremy Viegas (Randeep Hooda). Now, Meera has started to fall in love with Gautam and Jeremy has started disliking Veronica because of her choosy behavior and started loving Meera.—BurcidiBollyReview

Cocktail

Cocktail (2012)

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