Mimi Gibson

Charlotte Austin

Billy Chapin

Bess Flowers

The Donahues - husband and wife Terry and Molly, and their three offspring Steve, Katy and Tim - are a song and dance act. Their survival as a performing act of five and as a family collective is presented. Under their family name, Terry and Molly were a successful vaudeville act in the early 1920s, they who subsequently under the names the Three Donahues, the Four Donahues and the Five Donahues, trotted out Steve, then Steve and Katy, then Steve, Katy and Tim on stage as early as they being toddlers. Molly was able to convince Terry to give the kids a stable education at a boarding school as the two of them continued their on the road career in Molly wanting the kids to have a normal life. They were pleasantly surprised that the kids grew up not only to have musical performing talent, but wanted to perform as a family unit as the Five Donahues. That harmony on and off stage was threatened first by Steve contemplating following another calling - the threat not only in his thought of leaving the act, but in the nature of that calling - and second when Tim becomes infatuated with up and coming singer Vicky Parker, who unlike the naturally talented Donahues, has to tailor her act to showcase her assets. While Vicky is not a bad person per se despite Molly's thoughts to the contrary, Vicky's drive to become a star with Tim's addictive nature proves to be a potentially destructive combination.—Huggo

There's No Business Like Show Business

There's No Business Like Show Business (1954)

Joan Shawlee

Dennis O'Keefe

Ann Sheridan

Frank Johnson (Ross Elliott), sole witness to a gangland murder, goes into hiding and is trailed by Police Inspector Ferris (Robert Keith), on the theory that Frank is trying to escape from possible retaliation. Frank's wife, Eleanor (Ann Sheridan), suspects he is actually running away from their unsuccessful marriage. Aided by a newspaperman, Danny Leggett (Dennis O'Keefe), Eleanor sets out to locate her husband. The killer is also looking for him, and keeps close tabs on Eleanor.—Les Adams

Woman on the Run

Woman on the Run (1950)

Tully Marshall

Lionel Barrymore

Mary Carlisle

Berlin's plushest, most expensive hotel is the setting where in the words of Dr. Otternschlag "People come, people go. Nothing ever happens.". The doctor is usually drunk so he missed the fact that Baron von Geigern is broke and trying to steal eccentric dancer Grusinskaya's pearls. He ends up stealing her heart instead. Powerful German businessman Preysing brow beats Kringelein, one of his company's lowly bookkeepers but it is the terminally ill Kringelein who holds all the cards in the end. Meanwhile, the Baron also steals the heart of Preysing's mistress, Flaemmchen, but she doesn't end up with either one of them in the end...—Gary Jackson

Grand Hotel

Grand Hotel (1932)

Anthony Quinn

Tyrone Power

Lynn Bari

Bullfighter Juan Gallardo falls for socialite Dona Sol, turning from the faithful Carmen who nevertheless stands by her man as he continues to face real danger in the bullring.—Ed Stephan

Blood and Sand

Blood and Sand (1941)

Henry Fonda

Ward Bond

Clara Blandick

In Revolutionary America, Gil Martin takes his new wife Lana back to his farm in upstate New York. The area is remote and a distance from the fort but they are happy living in their one room cabin. With the declaration of independence, the settlers soon find themselves at war with the British and their Indian allies. Their farm is burned out and the Martins take work with Sarah McKlennar. The war continues however as the Martins try to make a new life.—garykmcd

Drums Along the Mohawk

Drums Along the Mohawk (1939)

Alfred Hitchcock

Nigel Bruce

Cary Grant

While traveling to the countryside of England by train, the repressed, shy Lina McLaidlaw meets reckless playboy Johnnie Aysgarth when he crashes her first-class cabin with a third-class ticket. When they meet again, Johnnie overhears a conversation of her father about her heritage and courts her, and she immediately falls in love with him. They get married and when they return from their fancy honeymoon, Lina discovers that Johnnie is a broke gambler who borrows money from his friends to live in a high standard. Then she finds out that he is also a liar, and after receiving his old friend and partner in a real-estate business, Beaky, in their home, Lina believes that Johnnie intends to kill Beaky. However, they decide to travel to Paris to dissolve their partnership. When two detectives come to their house to investigate Beaky's mysterious death in Paris, Lina believes Johnnie is the murderer, and she will be his next victim.—Claudio Carvalho, Rio de Janeiro, Brazil

Suspicion

Suspicion (1941)

Eli Wallach

Edward G. Robinson

Joan Collins

In Monte Carlo, Theo Wilkins (Edward G. Robinson) recruits his young protégé Paul Mason (Rod Steiger), just released from prison, to help him rob the famous casino of four million dollars. The plan is straightforward. On the night of the Governor's Ball, Theo will create a distraction in the casino by having one of the team collapse requiring urgent medical attention. During that time, Paul and another member of the crew will get the money from the vault. When the ambulance arrives, the money will leave with the sick man. The plan is a good one, but not everyone will survive the robbery, and no one will get rich from it.—garykmcd

Seven Thieves

Seven Thieves (1960)

William Schallert

Dorothy Malone

Robert Stack

In the 1930's, a First World War flying ace named Roger Schumann is reduced to making appearances on the crash-and-burn circuit of stunt aerobatics. His family is forced to live like dogs while Shumann pursues his only true love, the airplane. When Burke Devlin, a reporter, shows up on the scene to do a "whatever happened to" story on Shumann, he is repulsed by the war hero's diminished circumstances and, conversely, drawn to his stunning wife, LaVerne.—Alfred Jingle

The Tarnished Angels

The Tarnished Angels (1957)

Ben Wright

Ian Wolfe

Claude Rains

Professor Challenger leads team of scientists and adventurers to a remote plateau deep within the Amazonian jungle to investigate reports that dinosaurs still live there.—Marg Baskin

The Lost World

The Lost World (1960)

Richard Long

Thomas Mitchell

Olivia de Havilland

A woman suspected of murdering her doctor boyfriend has an identical twin sister. When both twins have an alibi for the night of the murder, a psychiatrist is called in to assist a detective in solving the case. Through a series of tests, he discovers which twin actually committed the crime, and in the course of his investigation he falls in love with one of them.—Neil Doyle

The Dark Mirror

The Dark Mirror (1946)

Elsa Lanchester

Harry Morgan

Margaret Field

When powerful publishing tycoon Earl Janoth commits an act of murder at the height of passion, he cleverly begins to cover his tracks and frame an innocent man whose identity he doesn't know, but who just happens to have contact with the murder victim. That man is a close associate on his magazine whom he enlists to trap this "killer" - George Stroud. It's up to George to continue to "help" Janoth, to elude the police and to find proof of his innocence and Janoth's guilt.—Ron Kerrigan

The Big Clock

The Big Clock (1948)

Beulah Bondi

Edgar Buchanan

Ann Doran

As tears well up in her eyes, once-happy Julie listens to her favourite songs, reminiscing about the ups and downs of her life. Indeed, Julie and her husband, Roger, have always been there for each other through thick and thin. However, it seems that the love is gone. But, before leaving the house, Julie decides to listen to their old, memory-laden records for one last time, eager to relive all the fundamental stages of her love story with Roger. Now, a flurry of mixed emotions overcomes Julie. Is all hope lost?—Nick Riganas

Penny Serenade

Penny Serenade (1941)

Paul Bryar

Bea Benaderet

Following the conviction of her German father for treason against the U.S., Alicia Huberman takes to drink and men. She is approached by a government agent (T.R. Devlin) who asks her to spy on a group of her father's Nazi friends operating out of Rio de Janeiro. A romance develops between Alicia and Devlin, but she starts to get too involved in her work.—Col Needham

Notorious

Notorious (1946)

Paulette Goddard

Charles Chaplin

Richard Alexander

Chaplin's last 'silent' film, filled with sound effects, was made when everyone else was making talkies. Charlie turns against modern society, the machine age, (The use of sound in films ?) and progress. Firstly we see him frantically trying to keep up with a production line, tightening bolts. He is selected for an experiment with an automatic feeding machine, but various mishaps leads his boss to believe he has gone mad, and Charlie is sent to a mental hospital - When he gets out, he is mistaken for a communist while waving a red flag, sent to jail, foils a jailbreak, and is let out again. We follow Charlie through many more escapades before the film is out.—Colin Tinto

Modern Times

Modern Times (1936)

Danny Kaye

Joi Lansing

Mari Blanchard

Jack Martin (Danny Kaye), an American entertainer working cabarets on the French Riviera, does an impersonation of philandering industrialist Henri Duran (Kaye, again) so convincingly that even Duran's beautiful wife (Gene Tierney) is fooled by it. When Duran's business interests compel him to be in London when he should be hosting a large soiree at his home, Martin is persuaded to impersonate Duran at the party. But matters threaten to get out of hand when Martin (as Duran) is confronted by several of the philanderer's women, and by Duran's ruthless business rival, M. Periton (Jean Murat).—Dan Navarro

On the Riviera

On the Riviera (1951)

Frank Faylen

Frances Gifford

Gerald Mohr

Humorist Robert Benchley attempts to find Walt Disney to ask him to adapt a short story about a gentle dragon who would rather recite poetry than be ferocious. Along the way, he is given a tour of Walt Disney Studios, and learns about the animation process.—Anonymous

The Reluctant Dragon

The Reluctant Dragon (1941)

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