Frank Faylen

Edward G. Robinson

Ralph Bellamy

Humphrey Bogart

Gang boss Little John Sarto returns from Europe where he was looking for "class" to find the new gang leader Jack Burns unwilling to relinquish his control. When Sarto puts together a rival gang he gets wounded and seeks refuge in a monastery. He is gradually transformed by the simple, sincere brothers and, after one last gangland appearance, decides he has found class at last in the monastery.—Ed Stephan

Brother Orchid

Brother Orchid (1940)

Samuel S. Hinds

Joan Bennett

Margaret Lindsay

Chris Cross, 25 years a cashier, has a gold watch and little else. That rainy night, he rescues delectable Kitty from her abusive boyfriend Johnny. Smitten, amateur painter Chris lets Kitty think he's a wealthy artist. At Johnny's urging, she lets Chris establish her in an apartment (with his shrewish wife's money). There, Chris paints masterpieces; but Johnny sells them under Kitty's name, with disastrous and ironic results.—Rod Crawford

Scarlet Street

Scarlet Street (1945)

Margaret Hamilton

Carole Landis

John Litel

Remy Marco, Prohibition beer baron, figures he'll do even better after repeal. Only trouble is, his beer tastes terrible. (He drinks no beer himself and nobody dares tell him). Four years later, when he's about bankrupt, he visits his summer home in Saratoga, complete with: 1) a dead-end-kid orphan; 2) his daughter's fiance...a state trooper!, 3) the bodies of four gangsters who planned to ambush Remy but had a shootout; 4) half a million in loot they hid in the house...just the amount Remy needs to get out of hock. The comic confusion mounts...—Rod Crawford

A Slight Case of Murder

A Slight Case of Murder (1938)

Lorne Greene

Brian Keith

Kathryn Grant

Sherry Conley, a street tough and cynical woman with an unhappy family background, is taken from prison to a hotel, where the DA tries to convince her to testify against a mobster. Sherry is reluctant because the last witness was murdered before he made it to the stand, and why should she stick her neck out? At the hotel, several attempts are made on her life, and she falls for Vince, the policemen guarding her.—John Oswalt

Tight Spot

Tight Spot (1955)

Romy Schneider

Jack Lemmon

Barbara Bouchet

Sam Bissel is a wholesome family man with a loving wife, Min, and two loving daughters. They lead a happy suburban life. The only part of Sam's life that he is not happy about is his job as a lowly cog in the art department of the advertising firm of Burke & Hare. Sam's professional life takes a major turn when he is made executive of the Nurdlinger Dairy account. Simon Nurdlinger is a wholesome family man who wants a wholesome family man with wholesome family ideals heading his account, Sam the only one in Burke & Hare that fits the bill. Sam's home life also takes a major turn when Min's college friend, Janet Lagerlof, moves in next door. Janet stands to inherit $15 million from her grandfather's estate, but the will has a clause that she must be happily married to inherit the money. Janet is technically divorced from Howard Ebbets, and states that getting back with Howard is not worth $15 million. But when Jack Bailey and Irene Krump - two of Janet's relatives who would like to find any excuse to contest the will - come by for an unexpected visit, Janet impetuously introduces Sam as her husband, Howard. Things get more complicated for Sam when he is later forced to introduce Janet as Mrs. Bissel to both Burke and Nurdlinger. Sam and by association Min go along with the ruse, and for their troubles Janet offers to give them $1 million of her inheritance. After that, further complications occur: Janet notices a private investigator snooping around the neighborhood, the P.I. hired by Janet's relatives; Howard, Janet's ex-husband comes back wanting to reconcile with her; and without Sam's knowledge, the Nurdlinger creative includes billboards featuring a wholesome couple espousing the goodness of Nurdlinger milk, that wholesome couple being Sam and Janet as Mr. & Mrs. Sam Bissel. They just have to continue dealing with these complications until the legal hearing. But Min may just have had enough of this plan before they get the money.—Huggo

Good Neighbor Sam

Good Neighbor Sam (1964)

Yves Montand

Shirley MacLaine

Robert Cummings

Paul Robaix is a well known director, married to Lucy Dell, a famous movie star. Robaix wants to make a movie of the classic play Madame Butterfly, but he doesn't want his wife to play the leading part, as in his previous pictures. Producer Sam Lewis and Lucy Dell think up a scheme to get her in the picture after all. Lucy disguises as a Geisha, and gets the leading part in the picture. When Robaix finds out he gets so mad, he wants to divorce Lucy...—Christian Siemons

My Geisha

My Geisha (1962)

Eli Wallach

Omar Sharif

Gregory Peck

The gangster Colorado kidnaps Marshal McKenna. He believes that McKenna has seen a map which leads to a rich vein of gold in the mountains and forces him to show him the way. But they're not the only ones who are after the gold, soon they meet a group of "honorable" citizens and the cavalry crosses their way too, and that is even before they enter Indian territory.—Tom Zoerner

Mackenna's Gold

Mackenna's Gold (1969)

Robert LuPone

Oskar Homolka

Aline Towne

Based on the life of Norway's greatest composer Edvard Grieg, and filmed in Norway where he lived. The soundtrack is all Edvard Grieg's music with added lyrics.

Song of Norway

Song of Norway (1970)

Harry C. Bradley

Mary Astor

Joan Barclay

Prohibition is ending so bootlegger Bugs Ahearn decides to crack California society. He leases a house from down-on-her-luck Ruth and hires her as social secretary. He rescues Polly Cass from a horsefall and goes home to meet her dad who sells him some phony stock certificates. When he learns about this he sends to Chicago for mob help.—Ed Stephan

The Little Giant

The Little Giant (1933)

Jayne Mansfield

Fay Wray

Anthony Caruso

When ex-cop Steve Rollins is released from San Quentin after five years, his only thoughts are of revenge on the men who framed him for manslaughter. Back in San Francisco, his quest for the truth brings him up against ruthless waterfront gang boss Victor Amato.—Ian Harries

Hell on Frisco Bay

Hell on Frisco Bay (1955)

Orson Welles

Richard Long

Brother Theodore

Wilson of the War Crimes Commission is seeking Franz Kindler, mastermind of the Holocaust, who has effectively erased his identity. Wilson releases Kindler's former comrade Meinike and follows him to Harper, Connecticut, where he is killed before he can identify Kindler. Now Wilson's only clue is Kindler's fascination with antique clocks; but, though Kindler seems secure in his new identity, he feels his past closing in.—Rod Crawford

The Stranger

The Stranger (1946)

Shailar Coby

Mike Henry

Charlton Heston

In 2022, Earth is overpopulated and totally polluted; the natural resources have been exhausted, and the nourishment of the population is provided by Soylent Industries, a company that makes a food consisting of plankton from the oceans. In New York City, when Soylent's member of the board, William R. Simonson, is murdered, apparently by a burglar at the Chelsea Towers West where he lives, efficient Detective Thorn is assigned to investigate the case with his partner Solomon "Sol" Roth. Thorn comes to the fancy apartment and meets Simonson's bodyguard Tab Fielding and the "furniture" (woman that is rented together with the flat) Shirl and the detective concludes that the executive was not a burglary victim but executed. Further, he finds that the Governor Santini and other powerful men want to disrupt and end Thorn's investigation. But Thorn continues his work and discovers a bizarre, disturbing secret of the ingredient used to manufacture Soylent Green.—Claudio Carvalho, Rio de Janeiro, Brazil

Soylent Green

Soylent Green (1973)

Paul Newman

Britt Ekland

Anna Lee

For some reason, this year's Nobel prize in literature has been awarded to the young author Andrew Craig, who seems to be more interested in women and drinking than writing. Another laureate is Dr. Max Stratman, the famous German-American physicist who comes to Stockholm for the award ceremony with his young and beautiful niece Emily. The Foreign Department also assigns him an assistant during his stay, Miss Andersson. Craig soon notices that Dr. Stratman is acting strangely. The second time they meet, Dr. Stratman does not even recognize him. Craig begins to investigate.—Mattias Thuresson

The Prize

The Prize (1963)

Barbara Stanwyck

Glenn Ford

Dianne Foster

A Union ex-officer plans to sell up to Anchor Ranch and move east with his fiancée, but the low price offered by Anchor's crippled owner and the outfit's bully-boy tactics make him think again. When one of his hands is murdered, he decides to stay and fight, utilizing his war experience. Not all is well at Anchor with the owner's wife carrying on with his brother, who anyway has a Mexican moll in town.—Jeremy Perkins , corrected by Michael Morrison

The Violent Men

The Violent Men (1955)

Marilyn Monroe

Edward G. Robinson Jr.

Ed Fury

Hope Lange

Innocent rodeo cowboy Bo falls in love with cafe singer Cherie in Phoenix. She tries to run away to Los Angeles but he finds her and forces her to board the bus to his home in Montana. When the bus stops at Grace's Diner the passengers learn that the road ahead is blocked. By now everyone knows of the kidnapping, but Bo is determined to have Cherie.—Ed Stephan

Bus Stop

Bus Stop (1956)

Gene Lockhart

Howard Da Silva

Alexander Knox

1900. Each coming into the situation under different circumstances, George Leach, Ruth Brewster, both who are trying to evade capture by the authorities, and writer Humphrey Van Weyden, from a refined background, somewhat reluctantly are on their first of the latest sailing of the Ghost, a sealing schooner, out of its home port of San Francisco. The Ghost is skippered with an iron fist by "Wolf" Larsen, who will not tolerate any question of his authority, and whose cruelty has turned his crew into a hardened lot. In that cruelty, he will often turn his adversaries against each other to his own end of that total control. While all three would like to get off, George and Ruth someplace other than San Francisco, they are being held somewhat captive by Wolf both in not interacting with any other ships and not making land until its ultimate return to San Francisco. Humphrey can see and discovers that Wolf is a mass of contradictions as the Ghost's true nature, which has to do with Wolf's similarly seafaring brother, remains hidden from most. Meanwhile, George does whatever he can to get off board safely with Ruth, especially as they have fallen in love partly in their fugitive status, and even if it requires trying to organize a mutiny under the condition of not knowing who to trust. Through the machinations of each trying to achieve their goal, Wolf may display to who it matters the most his working under the ultimate creed of preferring to "reign in hell than serve in heaven".—Huggo

The Sea Wolf

The Sea Wolf (1941)

Julie London

Lon McCallister

Rory Calhoun

Pete (Edward G. Robinson) and Ellen Morgan (Dame Judith Anderson) have reared Meg (Allene Roberts) as their own ever since her parents took off when she was a baby. Now a teen, Meg convinces her friend Nath Storm (Lon McCallister) to come help with chores on the farm, as Pete isn't getting around so well on his wooden leg. When Nath insists on using a short-cut home through the woods, Pete becomes agitated and warns him of screams in the night, terrors associated with the red house. Curious, Meg and Nath ignore his warnings and begin to explore. Meg starts to fall in love with Nath, but his girlfriend Tibby Rinton (Julie London) has other plans for him. Meanwhile, they all get closer to real danger and the dark secret of the red house.—Ed Sutton

The Red House

The Red House (1947)

Laurie Mitchell

Paul Frees

After two Chicago musicians, Joe and Jerry, witness the the St. Valentine's Day massacre, they want to get out of town and get away from the gangster responsible, Spats Colombo. They're desperate to get a gig out of town but the only job they know of is in an all-girl band heading to Florida. They show up at the train station as Josephine and Daphne, the replacement saxophone and bass players. They certainly enjoy being around the girls, especially Sugar Kane Kowalczyk who sings and plays the ukulele. Joe in particular sets out to woo her while Jerry/Daphne is wooed by a millionaire, Osgood Fielding III. Mayhem ensues as the two men try to keep their true identities hidden and Spats Colombo and his crew show up for a meeting with several other crime lords.—garykmcd

Some Like It Hot

Some Like It Hot (1959)

Robert Blake

George 'Spanky' McFarland

Gotham College professor Wanley and his friends become obsessed with the portrait of a woman in the window next to the men's club. Wanley happens to meet the woman while admiring her portrait, and ends up in her apartment for talk and a bit of champagne. Her boyfriend bursts in and misinterprets Wanley's presence, whereupon a scuffle ensues and the boyfriend gets killed. In order to protect his reputation, the professor agrees to dump the body and help cover up the killing, but becomes increasingly suspect as the police uncover more and more clues and a blackmailer begins leaning on the woman.—Ed Sutton

The Woman in the Window

The Woman in the Window (1944)

Mona Freeman

Fred MacMurray

In 1938, Walter Neff, an experienced salesman of the Pacific All Risk Insurance Co., meets the seductive wife of one of his clients, Phyllis Dietrichson, and they have an affair. Phyllis proposes to kill her husband to receive the proceeds of an accident insurance policy and Walter devises a scheme to receive twice the amount based on a double indemnity clause. When Mr. Dietrichson is found dead on a train track, the police accept the determination of accidental death. However, the insurance analyst and Walter's best friend Barton Keyes does not buy the story and suspects that Phyllis has murdered her husband with the help of another man.—Claudio Carvalho, Rio de Janeiro, Brazil

Double Indemnity

Double Indemnity (1944)

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