Louis de Funès

Geneviève Grad

Vincent Baggetta

Marino Masé

After being chosen to represent France in an international congress, Cruchot and his troops must go to New York, and adapt to its social and cultural aspects.

The Gendarme in New York

The Gendarme in New York (1965)

Claude Gensac

Elisabeth Etienne

Nicaise Jean-Louis

Cruchot's police office moves into a new building. They do not only get high tech equipment, but also four young female police officers to educate. All of them scramble to work with them -- and cause pure chaos while being distracted by the fine ladies. Then they get into real trouble when one after the other of their female colleagues is kidnapped.—Tom Zoerner

The Gendarme and the Gendarmettes

The Gendarme and the Gendarmettes (1982)

Dominique Davray

Dominique Zardi

The whole clique of Cruchot's police station is retired. Now he lives with his rich wife in her castle - and is bored almost to death. He fights with the butler, because he isn't even allowed to do the simple works. But when one of the clique suffers from amnesia after an accident, all of the others reunite and kidnap him, to take him on a tour to their old working places and through their memories. In their old uniforms they turn St. Tropez upside down.—Tom Zoerner

The Gendarme Takes Off

The Gendarme Takes Off (1970)

Lambert Wilson

Marie Pillet

Rika Hofmann

The bungling inspector Cruchot (Funès) finds himself trying to save the residents of St. Tropez from some oil-drinking humanoid aliens. The only way to tell the aliens from the real people, besides their constant thirst for oil-products, is that they sound like empty garbage cans when you touch them. Chaos is ahead.—Ørnås

The Gendarme and the Extra-Terrestrials

The Gendarme and the Extra-Terrestrials (1979)

Philippe Nicaud

Maria-Rosa Rodriguez

Jacqueline Maillan

Léonard Monestier has made his fortune trading on the stock exchange. His eccentric wife Cynthia almost bankrupts him by selling some of his shares to buy an oil concession in South America. Convinced that the concession is a fake, Monestier decides to sell it on to a friend of the family, the naive millionaire Antoine Brévin. Antoine wants to marry his daughter, Patricia. However, Patricia has a different opinion on the matter. She manages to persuade the car delivery guy, Simon Guilbaud, to pretend to be her husband. Unaware of this development, Monestier invites Antoine to his house in order to get him to agree to buy the oil concession. After the invitation to Antoine, the butler Charles informs Monestier of the rushed marriage of Patricia. To prove that the concession is genuine, Monestier hires his son-in-law Simon to pretend to be his son, Paul, who is currently in South America. At this point, the real Paul turns up, with a Latin showgirl, Palma. Monestier has to resort to ever more desperate schemes to get Antoine to sign his cheque.—Lara Cain

Squeak-squeak

Squeak-squeak (1963)

Michael Lonsdale

Jean-Pierre Zola

The frozen body of Paul Fournier is discovered in Greenland where he had disappeared during a scientific expedition in 1905. Perfectly conserved he is brought back to life in the 1960s. His descendants take care of him: to spare him the cultural shock they behave so to make believe it's 1905 and they are his cousins, uncle...—vik-18

Hibernatus

Hibernatus (1969)

Mario David

Claude Rich

Dominique Page

Trouble, trouble, trouble! It is indeed under the sign of trouble... and of confusion that the crappy day Bertrand Barnier has just gone through will have been placed. The businessman will not forget it soon! And quite rightly so. Just imagine: a maid that wants to resign to... marry a baron! A masseur who treats you like an executioner of the Holy Inquisition! And, to cap it all, a right-hand man who breaks shocking news after shocking news (demanding a high pay increase, saying he has relieved his employer of a bunch of millions, stating that he has decided to marry his daughter who, incidentally, has been made pregnant by Oscar the former driver...) To say nothing of three black suitcases, one of which contains millions of francs, passing from hand to hand! Is it really possible to make sense of such wild confusion? As that crazy day ends, Barnier thinks he has achieved the impossible. But has he really?—Guy Bellinger

Oscar

Oscar (1967)

Christian Duvaleix

Hélène Dieudonné

René Hell

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404 Error

404 Error (1961)

Hervé Bellon

Georges Audoubert

Micheline Bourday

Based on Molière's play. The children of Harpagon, Cléante and his sister Elise, are each in love but they still haven't spoken to their father yet. Harpagon is a miser who wants to choose the right man and the right woman for his children. When Cléante, at last, tries to speak to Harpagon, the old man informs the family that he wants to marry Marianne, the young girl loved by Cléante. Unaware of his son's sorrow, Harpagon doesn't understand why Cléante has become so angry with him.

The Miser

The Miser (1980)

Mylène Demongeot

Mafalda Amadei

When Professor Marchand, a famous scientist, mysteriously disappears, the commissioner, Juve, immediately suspects Fantomas. Meanwhile, the journalist disguised as Fandor Lefevre, Marchand's assistant, is removed by Fantomas. Commissioner Juve falls into the trap as Fantomas, too, is transformed into Lefevre and they are all found in Rome at a scientific meeting. Fantomas will prevail and stakeholders will gather in his den, and prisoners, it seems, without any possibility of escaping their fate. Accompanied by the music of an organ played by Fantomas.—Anonymous

Fantomas Unleashed

Fantomas Unleashed (1965)

Barbara Sommers

Roger Pappini

Charles Lloyd Pack

Charles Bosquier, a role apparently written for French comedy superstar Louis de Funès, is the dictatorial headmaster of a French strict boarding school. No father could be deeper shocked to find one of his own sons miserably failed his exams, and too embarrassed to enroll him for his own summer-school, so he sends Philippe to England as exchange student. Philippe planned to save his sailing plans with friends by sending fat nerd Stephane Michonnet to England using his name, which comes out when Michonnet gets indigestion. Meanwhile Charles expects his spoiled favorite son, Gérard, who tells daddy about all the other schoolboys for money, to chaperon Shirley, the daughter of his English counterpart MacFarrell, but the girl gets all French boys horny, so even his perfect record is soon gravely soiled as dad spies on them, and he and Shirley join Philippe and his friends. Now the headmaster chases the kids' yacht -incognito, to avoid a scandal- all the way to England, where his colleague soon joins him, and further...—KGF Vissers

The Exchange Student

The Exchange Student (1967)

Hubert Noël

Anouk Ferjac

Germaine Delbat

Two men, a painter and a poor guy, have to cross over Paris by night during World War II and to deliver black market meat. As they walk along dark Parisian streets, they encounter various characters and adventures until they are arrested by German police.—

The Crossing of Paris

The Crossing of Paris (1956)

Terry-Thomas

Fred Fischer

Claudio Brook

A RAF Bomber is shot down over Paris by the Germans. Its crew land there by parachute. With the help of some French civilians they try to escape over the demarcation line into the southern part of France, still not occupied by the Germans.—Gerard Bader

Don't Look Now... We're Being Shot At!

Don't Look Now... We're Being Shot At! (1966)

Jacques Marin

Charles Millot

The story takes place in the racecourses around Paris. A so-called major sells his tips to naive characters.

The Gentleman from Epsom

The Gentleman from Epsom (1962)

Pierre Palfray

Guy Delorme

Fantomas wants to collect money from scottish rich' for letting them live. The French inspector (Louis de Funes) comes to a scottish castle to protect the owner, and to catch Fantomas. There is a lot of funny trouble in the castle, espacially at one big evening party.—Christian Loeb

Fantomas vs. Scotland Yard

Fantomas vs. Scotland Yard (1967)

Bernard Blier

Yvonne Clech

Henri Guégan

Antoine Brisebard, a famous comedy playwright, is struggling with financial difficulties and is preparing to sell his country villa to an English couple. What no one knows, however, is that Brisebard is actually a victim of blackmail since his wife Sylvie, a famous actress, is the daughter of a notorious robber-murderer. His extortionist is a malevolent criminal only known as Jo, who visits him often to pick up his hush money. But faced with certain ruin, Brisebard is preparing to do away with Jo once and for all, planning his deed under the guise of him trying to write the script for a crime play and consulting his friend, attorney Colas, for ideas of how to efficiently get rid of the body. He finally takes up the offer of one Tonelotti to erect a garden pavillon, whose foundation would provide the ideal hiding place for the corpse. On the night Jo is scheduled to arrive for his next payment, Brisebard awaits the arrival with a gun but is not able to pull the trigger, drops the gun to the floor which results in a shot accidentally killing Jo. But it is only then that things turn really difficult: police inspector Ducros, who has found out about Jo's operation and Brisebard's involvement in it, starts noseying around, telling Brisebard that Jo had already been murdered at the time he was supposed to come to the villa (the man Brisebard shot is eventually revealed as Riri, a criminal associate of Jo's); the pavillon foundation proves to be too shoddy, forcing Brisebard to hide the body elsewhere; a lot of unwanted houseguests keep coming and going; and finally, Riri's body stubbornly refuses to remain hidden. Even with the help of his wife, to whom he finally tells everything, the task of getting rid of the body becomes an outright daunting - and nerve-wracking - one.—wikipedia

Jo (1971)

Marcel Cuminatto

Bernard Musson

Criminal mastermind Fantômas, a man of a thousand faces, is unhappy with Fandor, a journalist who's written a fictive interview of him. He kidnaps Fandor, threatens to kill him, but first goes about ruining the journalist's reputation by committing a sensational crime in Fandor's guise. Hot on the trail is police Commissaire Juve, so Fantômas commits a crime looking like him. Soon, our intrepid heroes, Fandor and Juve, with the help of Fandor's girlfriend Hélène, are on the mastermind's trail, but who's in control?—

Fantomas

Fantomas (1964)

Marcel Dalio

François Guillaume

Charles Duchemin runs a Michelin-style culinary guide, personally visiting restaurants in disguise. He plans to retire and leave the firm in the hands of his son Gérard, ignoring the latter his little interest in gastronomy but secretly performs as circus clown with penniless friends. When assistant Dubreil reports that Jacques Tricatel, CEO of a despised fast food chain, plans to buy and qualitatively ruin several reputed restaurants, and even sends a spy to steal the Duchemin stars list for the new edition, who fails, Charles make sit his mission to find out and counter this. During a tour along restaurants outside Paris, accompanied by Gérard (his circus in tail and Charles's foxy interim secretary Marguerite, he finds the Tricatel factory which is even ghastlier then he feared, but also looses his taste. Tricatel sent his deputy to spy on them, who finds out about father and son's weaknesses, while Charles and Jacques accepted to debate on the provocative TV show 'anything goes'.—KGF Vissers

The Wing or The Thigh?

The Wing or The Thigh? (1976)

Yves Montand

Joaquín Solís

Leopoldo Trieste

Don Salluste, a petty tyrant in his own home and minister of the King of Spain, falls from grace. Wanting revenge, he tries to compromize the Queen with his valet Blaze, introduced as his cousin. But poor Blaze gets stuck with a rather repulsive duenna, who is madly in love with him and very keen on getting her way. This wild comedy takes off at a dashing pace set by the De Funes, Montand and Sapritch trio.—Anonymous

Delusions of Grandeur

Delusions of Grandeur (1971)

Bruno Ganz

Oliver Masucci

Nina Proll

Adolf Hitler wakes up in Berlin...in 2014. After getting his bearings he is discovered by an unemployed TV producer, Fabian Sawatzki. Sawatzki thinks Hitler is some sort of performance artist and takes him around the country, talking to the general population, for a TV piece he has envisaged. Hitler, however, sees this as a chance to regain his popularity and power.—grantss

Look Who's Back

Look Who's Back (2015)

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