Karl-Heinz Peters

Eva Maria Meineke

Alfred Edel

Alexander Kluge

The film tells the story of Anita G., a young East German migrant to West Germany and her struggle to adjust to her new life.

Abschied von gestern -

Abschied von gestern - (1966)

Alexandra Maria Lara

Edward Hogg

Set in Lisbon, Portugal at an institute for the blind where children are taught to live with their disability, to not take risks, and to be comfortable at all times. Ian a non-conformist teacher who is also blind is hired at the school and introduces revolutionary methods: Rejecting the use of a cane, Ian teaches the children to achieve spatial orientation by using all of their senses including moving by the resonance of sound vibrations (echolocation), instinct, and the creative use of their imagination. Confident and even slightly over-aggressive, Ian charms the children and gives them a reason to hope, though they are always testing and questioning him to prove that he is one of them and never seem quite convinced of his sincerity. Ian's sessions take place right under the window of Eva (Alexandra Maria Lara), an adult patient who never leaves her room and does not speak to anybody. Surprisingly, she becomes one of his most responsive students and there is even a hint of romance. The two bond as they begin to trust each other. Together they visit a café (where she flirts with a young man), walk along the harbor and cross busy streets without any aids other than their ability to listen for the sounds of vehicles, footsteps, or other obstacles in their path. They are followed by Serrano, a young blind boy whom Ian asks to use his imagination to "see" a ship in the harbor. The new teacher is challenged by the school doctor and head teacher of the school (Francis Frappat) who is concerned that he is giving the children the illusion of hope...—Good Edward

Imagine

Imagine (2012)

Maria Bello

Ann Dowd

Joan Jett

Olympia Dukakis

Driving home along a generally unused country road following a speaking engagement, famed mystery novelist Tess Thorne experiences a flat tire on her car. She accepts the help of who she believes is a good Samaritan who stops to help her, but who instead rapes her, leaving her submerged in shallow water in a drainage pipe as dead. She found out that he actually orchestrated her getting the flat tire just moments before the rape. Alive, she, in shock, is able to make her way home, but she does not go to the hospital, dealing with her wounds herself, does not call the police, or tell any of her friends or acquaintances how she sustained her obvious injuries. Once the issue of what happened to her settles into herself, she decides to use her skills as an investigative writer to find out the reason behind what happened - if she was a random or targeted victim - and especially if the latter, how best to use that information to her advantage. Using her stories' grandmotherly heroine, Doreen Marcus, as her inspiration, Tess decides that the best course of action is revenge, and figuring out a way not to get caught. In the process, she may discover more than she bargained for.—Huggo

Big Driver

Big Driver (2014)

Mads Sjøgård Pettersen

David Dencik

Maria Bonnevie

Kristoffer Joner

Two brothers in their 40s are found dead in the forest. By their side lies a woman, very weak, but still alive. "All that matters is past" is the story of how Janne meets William after many years of separation. She leaves her family to live with him in a cabin by the river. They recreate the feeling of love and lust that they had as children, being sweethearts playing in the woods. But one day a Chinese baby girl is found floating down the river, and they realize that they are being haunted by William's brother. William and Janne runs further into the woods, trying to escape from their nemesis.—JRN

All That Matters Is Past

All That Matters Is Past (2012)

Antoine Nicos

Leonardo Botta

Maria Giovannini

Enrico Salvatore

Lucas [Alfredo Rizzo], manager of five showgirls -- Vera [Lyla Rocco] , Katia [Maria Giovannini], Erika [Erika Dicenta], Ilona, and Magda -- has just skipped out on their hotel bill and is trying to reach the
next town in their bus when they learn that the road has been blocked by a
landslide. Since they can't turn back, they take the only other road,
which leads to the Castle of Kernassy, a place where no local would dare
to go. Lucas could care less about local superstitions. Thinking about the
possibility of free digs, he heads for the castle. When they arrive at the
gate, Vera senses a strange feeling of familiarity, but the caretakers
tell them to move on, until Count Gabor Kernassy [Walter Brandi] sets eyes on Vera.
Suddenly, he agrees to put them up for the night. There is a condition,
however. No one is to leave their bedrooms at night, regardless of what
they might hear.As a storm rages, Vera notices the Count looking at her through the
window. She confronts him, but he only wants to talk about her background.
Where does she come from? Vera provides little details due to the fact
that her parents died when she was young. Later, Katia comes to Vera's
room because she can't sleep and then decides to take a shower. Because it
is rather cold, Katia slips into Vera's coat. Before showering, however,
Katia goes exploring after hearing a kitten meowing. She follows it to a
tower room.The next morning, Katia is found dead on the ground at the foot of
the tower. It appears that she has fallen. Unfortunately, the river has
risen, and the visitors are forced to stay longer at the castle, even
though they now want to leave. Later, after Katia is buried and while the
girls rehearse their dances, Vera returns to her room to rest. While
walking through the corridor, she notices a painting of Margherita
Kernassy, who looks remarkably like Vera herself. When Vera asks the Count
to tell her about Margherita, he explains that she was an ancestor of his
who died in the 1780s. Because he thinks Vera might be a reincarnation of
Margherita, he warns her to leave the castle as quickly as possible. Vera
admits that she feels at home in the castle and safe with the Count. They
fly into each others' arms.Later that evening, as Vera is getting undressed for bed, she notices
the shadow of a man slinking along her wall. She tosses on a coat and goes
looking for him in the gardens. When she passes Katia's grave, she is
horrified to find that Katia's body has been dug up and removed. Then she
notices the Count standing in the bushes. When she attempts to speak with
him about Katia's body, he runs off. The housekeeper is of no help either.
In fact, she admonishes Vera for being too curious.The next morning, Vera goes looking for the Count and wanders into
what looks like a laboratory where she discovers Katia's body. When Vera
confronts him, the Count admits that he dug up Katia's body in order to
continue his investigation into a "diabolical" force that turns men into
immortal monsters and gives them an insatiable thirst for human blood. He
also suspects someone murdered Katia, thinking her to be Vera because she
was wearing Vera's coat at the time. But who would want to kill Vera? The
Count warns her again not to leave her room after nightfall, not even if
she hears his voice calling to her.That night, a naked Katia baring fangs appears to Lucas, but he goes
into a faint. Vera hears someone outside her bedroom door, calling out the
name "Margherita." She throws her coat over her nightgown and goes to
investigate. With bats squeaking over her head, Vera makes her way down
into the crypt, where she comes upon two coffins...one for Margherita
Kernassy and one for Gabor Kernassy. Suddenly, the Count appears, bares
his fangs, and sucks blood from Vera's neck. When Vera regains
consciousness, it is the next morning. The housekeeper informs her that
she has had a high fever and been delirious all night. Vera concludes that
her encounter with the Count in the crypt must have been a fever dream.
But when Vera sees the two holes in her neck, she realizes otherwise.
Immediately, she packs her bags and goes looking for her friends.The first person she meets is the Count. Vera hightails it away from
him. When the Count gives her chase, Vera opens a door to escape and runs
into...the Count. With Counts on both sides of her now, Vera faints. The
two Counts struggle. When the vampire Count knocks out the human Count, he
(the vampire Count) carries Vera down into the crypt and places her in
Margherita's coffin. Katia is jealous and vows to kill Vera before the
vampire Count can make Vera immortal. Not to be deprived of his Margherita
again, the vampire Count drives a burning stake through Katia's heart.Meanwhile, the human Count has followed them down into the crypt. He
informs the vampire Count that the serum is almost ready and that it will
put an end to the vampire affliction, but the vampire Count is not
interested. Indeed, he considers vampirism "a significant achievement of
the intellect and the greatest joy known to mankind." A little more
fighting breaks out, the end of which results in the human Count pulling
down the curtains and letting in the sunlight. In his struggle with the
light, the vampire Count impales himself on a poker and fades away. The
human Count carries Vera upstairs.Everyone is happy that the vampire Count is now dead. A short while
later, Vera and her friends drive off in their bus, leaving the human
Count behind to tie up a few loose ends at the castle, after which he plans
to join Vera. [Original Synopsis by bj_kuehl.]

The Playgirls and the Vampire

The Playgirls and the Vampire (1960)

David McCallum

Sandra Knight

Maria Ford

Gail Harris

A witch is put to death in Colonial America, leaving her husband and infant daughter behind. Seventeen years later, the daughter has grown up and stands to inherit money set up by her mother's family. Now that the stage is set, the mother wants to return to life by taking over her daughter's body.—Ed Sutton

The Haunting of Morella

The Haunting of Morella (1990)

Paco León

Macarena García

Berta Vázquez

María de Casas

Quique is dispatched to a village in deep Spain Teruel to lead its politics of recuperation but soon discovers he was sent there so that his girlfriend and leader of his party could spend more time together.

A Hipster in Rural Spain

A Hipster in Rural Spain (2024)

Roddy McDowall

Terrie Snell

Maria del Mar

Dolly Parton

A wonderful movie with Dolly Parton playing a self-absorbed singer who meets an untimely death and gets an opportunity to earn her wings if she helps a family lost in the tragic death of their mother find one another again. This should be a holiday movie tradition.—kateann1027

Unlikely Angel

Unlikely Angel (1996)

George Estregan

Maria Isabel Lopez

Michael Locsin

Sarsi Emmanuelle

The return of a woman to a small village of devout Catholics accelerates the downfall of the community.

Daughters of Eve

Daughters of Eve (1985)

Sonia Braga

Maria Carolina Withaker

Luiz Linhares

Helena Ignez

The story a famous Brazilian criminal, called The Red Light Bandit because he always used a red flashlight to break in the houses during the night. Working alone, he also used to rape his female victims.—lukejoplin@infolink.com.br

The Red Light Bandit

The Red Light Bandit (1968)

Edward Norris

Maria Montez

Maria Ouspenskaya

Raymond Bailey

A detective tries to unravel the strange circumstances surrounding the death of a young actress.

Mystery of Marie Roget

Mystery of Marie Roget (1942)

Kerry O'Malley

María Gabriela González

Callie Johnson

Nick Sagar

When criminal defense attorney Mea Harper takes on the murder case of artist Zyair Malloy, the truth isn't as obvious as it seems. While she tries to determine the innocence or guilt of her cagy-yet-seductive client, it is uncovered that everyone is guilty of something.

My Fault

My Fault (2024)

Peter Haber

Dennis Storhøi

Tea Stjärne

Maria Bolme

Sweden's most popular comic book character - the bear Bamse - will now get his first own feature film. In "Bamse and the city of thieves" the strongest bear in the world and his two friends Little Hopp and Shellman show that the best weapon against evil is -friendship (and a few drops of Grandma's Thunder Honey of course).—Tre vänner produktion AB

Bamse and the Thief City

Bamse and the Thief City (2014)

María de Nati

Álex García

Alexandra Jiménez

Diego Martín

In Gijón, Principality of Asturias (northern Spain), Santi is a down-on-his-luck 30-something who was fired a year ago from his factory job, and Maite, his wife of 9 years, is filing for divorce. Now he lives in his van waiting for a job that never comes, and passes his days with his best friends Marcos--happily-married father-of-two--and Pedro, a single gas-station worker who lives with his mother and dreams of being a ladies' man. Trying to have a moment of peace, Santi and friends go to a class reunion and discover that former classmate Mario is now successful--and Maite's new boss in the supermarket Todoymás (Allandmore) where she works. After a bitter visit to the lawyers with Maite to regularize the divorce, Santi decides to buy a lotto ticket as a last hope to change his luck. The next day, a surprised Santi learns on the radio that the ticket has been prized with 25 million EUR (27 million dollars) and goes to the bank to take the money, but fearing to be exposed to the public eye he runs from the bank. However, bank manager Damián approaches Santi to advise about how to manage the 25 millions, where Santi discovers unwelcome news: due to the conditions of his and Maite's marriage, she has a right to half the prize. Unwilling to lose 12.5 millions to her, he starts to spend the money in secret, enjoying all kinds of luxuries, while openly pretending to be poor. In an act of goodwill, Maite gets Santi an interview with Mario for a stockman job. Santi uses part of his money trying to better the lives of Marcos and Pedro, with disastrous consequences, also failing in his attempts to reconcile with Maite. Then by chance Santi finds out about Mario's real intentions with Todoymás. Can Santi fix all the troubles that the money caused before it's too late?—Chockys

If I Were Rich Man

If I Were Rich Man (2019)

Dieter Nuhr

Bjarne Mädel

Julia Jentsch

Maria Dragus

At work, Astrid is admired by her fans as a famous cabaret artist and privately a second child is on the road to complete her family happiness. But her world is turned upside down overnight when she learns that her unborn child has a serious heart defect and will be born with Down syndrome. Together with her husband Markus, she now has to make the decision whether she will opt for a late abortion in the sixth month or give birth to the mentally and physically disabled child. The otherwise strong woman is torn and poses agonizing questions: "May I judge the life and death of my child?" Long discussions within the family and with her mother Beate follow. In the end there is a decision - but it is not one with which Astrid and Markus are completely at peace, either way not.—Kino

24 Weeks

24 Weeks (2016)

Zofia Czerwinska

Jan Kociniak

Maria Chwalibóg

Krystyna Borowicz

Stanislaw works in an art museum in Warsaw; it's not a very well-paid job, and his boss is a bit of a martinet. When a painting is found to be missing from the store room, the boss accuses Stanislaw and gives him 24 hours to return it, or go to jail. Well, Stanislaw is innocent, so he can't return it, and he decides to borrow some of his wife's clothes and her wig, and go into hiding as a woman, Maria. He gets a job as housemaid, although his practical home skills are pretty well non-existent, but a succession of amorous husbands, difficult children, and eccentric bosses drives him from one job to the next. Meanwhile his efforts to keep in touch with his wife lead to her becoming suspicious of his involvement with another girl he is talking to, and then when he kisses his wife amourously, the girl is scandalised to see what appear to be two women kissing. [This was 1973 in Poland, remember.] Finally he gets a decent place working for the director of an architectural practice; but this man has to write and deliver a presentation on the merits of his town-planning proposals, and this is not his strong point. Stanislaw (as Maria) helps with the text, and this is so successful that the boss wants Maria to accompany him to the presentation itself. However, there is a snag: Maria would have to pretend to be a man! The boss finds an old suit and tells Maria to put it on; but he isn't impressed with the result and castigates Maria for making such a poor show as a man. Obviously Maria is still walking and sitting down like a girl, so the boss's wife gives "Maria" some coaching in male body language. Will Stanislaw be trapped forever on the run and pretending to be Maria?—Hazel Freeman

Man - Woman Wanted

Man - Woman Wanted (1973)

Maria Thelma Smáradóttir

Jóhannes Haukur Jóhannesson

Þröstur Leó Gunnarsson

Thor Kristjansson

In the mid to late 90's, the Reykjavik crime and drug scene saw a drastic change from a relatively small and innocent world into a much more aggressive and violent one.. The film tells the story of this change through the fictional gang of pushers that took control of Iceland's underworld.—Anonymous

Black's Game

Black's Game (2012)

Annie Clark

Samantha Brown

Colton Royce

Maria Ricossa

Emma runs a bakery in New York. She is such a good baker that the princess of Sanovia wants to hire her to make the desserts for the royal couple's anniversary dinner. She is persuaded by her friend and colleague to go. Once there, she learns that the main courses will be made by the younger prince in the family, Oliver, who loves cooking and wants to become a chef. Now Emma is forced to collaborate with him, something that proves to be not entirely easy as their styles in the kitchen are very different. However, they are forced to learn from each other while the big anniversary approaches.

A Royal Recipe for Love

A Royal Recipe for Love (2023)

Lisa-Marie Koroll

Jürgen Vogel

Andreas Pietschmann

Lisa Maria Potthoff

Law firm owner Arthur experiences a nightmare at his daughter Antonia's dream wedding: instead of saying yes to an aspiring lawyer from his team, she elopes with left-wing activist Alex. The conservative lawyer does not want to get used to a class warrior as a potential son-in-law. His brothers-in-law Yus and Kalle aren't much better off with their daughters Luna and Sophie: one loves a bold young dealer, the other a much older nude photographer. In order to get rid of their daughters' friends, the "super-brothers-in-law" form a secret society. Not only the resistance of their wives Marion, Heike and Isabel, but also their own shortcomings and embarrassing failures complicate the insidious plan. Soon the trio of fathers have to fight themselves in order not to be sidelined by the self-confident daughters.—ADR Das Erste

It's for Your Own Good

It's for Your Own Good (2020)

José Coronado

María Hervás

Luis Callejo

Silvia Alonso

Arturo, Chus, and Hipólito ("Poli") are brothers-in-law who co-exist peacefully. Suddenly, Arturo and Isabel's daughter Valentina decides at the last minute not to marry Agustín, leaving him at the altar for Álex, a young perroflauta (Spanish for dreadlock) and anarchist whose free ideals clash fiercely with the conservative Arturo; Chus and his wife Olga discover that their daughter Marta is dating troubled, drug-dabbling ni-ni (Spanish short for "ni oficio ni beneficio", equivalent to "without a penny to one's name") Dani; and Poli's daughter Sarai is dating Ernesto, a playboy who works as an artistic photographer and is actually Poli's former classmate--and Poli's wife Alicia knew about it and was hiding it from him. Believing that Álex, Dani and Ernesto aren't good for their lovely, perfect daughters, Arturo, Chus and Poli plot the way to stop all three relationships, not knowing the consequences that their acts will have for the family.—Chockys

It's for Your Own Good (2017)

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