Matthew Broderick

Kenneth Welsh

Marlon Brando

Frank Whaley

Clark Kellogg is a young man starting his first year at film school in New York City. After a small time crook steals all his belongings, Clark meets Carmine "Jimmy the Toucan" Sabatini, an "importer" bearing a startling resemblance to a certain cinematic godfather. When Sabatini makes Clark an offer he can't refuse, he finds himself caught up in a caper involving endangered species and fine dining.—Scott Renshaw

The Freshman

The Freshman (1990)

Pamela Franklin

Rita Moreno

Richard Boone

Things go wrong for a group of criminals after kidnapping a young heiress for ransom, keeping her at a beach house in France where quarreling ensues, leading to a violent confrontation between two of the toughest men, one with morals (Marlon Brando) and one without (Richard Boone).—Kevin Steinhauer

The Night of the Following Day

The Night of the Following Day (1969)

Joanne Woodward

John Baragrey

R.G. Armstrong

Having fled New Orleans to avoid arrest, Valentine "Snakeskin" Xavier (Val), a trouble-prone, guitar-playing drifter, wanders into a small Mississippi town aiming to go straight and lead a quiet, simple life. He gets a job in the dry goods store owned by a sexually frustrated middle-aged woman named Lady Torrance, whose sadistic elderly husband, Jabe, is dying. With an obscure past and passions of her own, Lady finds herself attracted to Val, pulsating with passion anew, as he presents an arousing antidote to her bitter marriage and small-town humdrum life. Also vying for Val's attention are the alcoholic, sex-crazed Carol Cutrere and the unhappily married Vee Talbot. Each brings her share of problems into Val's plans, himself equally tempted by these women, though he succumbs to the charms of Lady. But the jealous Jabe is friends with Sheriff Talbot, Vee's husband, and things can't possibly end well for Val and Lady. The screenplay by Meade Roberts and Tennessee Williams is based on Williams' own 1957 play, "Orpheus Descending".—pdlussier1

The Fugitive Kind

The Fugitive Kind (1960)

Richard Harris

Frank Silvera

Trevor Howard

The Bounty leaves Portsmouth in 1787. Its destination: to sail to Tahiti and load bread-fruit. Captain Bligh will do anything to get there as fast as possible, using any means to keep up a strict discipline. When they arrive at Tahiti, it is like a paradise for the crew, something completely different than the living hell aboard the ship. On the way back to England, officer Fletcher Christian becomes the leader of a mutiny.—Mattias Thuresson

Mutiny on the Bounty

Mutiny on the Bounty (1962)

Carolyn Jones

Charlotte Austin

Alan Napier

In Marseilles, France in 1794, Desiree Clary, a young millinery clerk, becomes infatuated with Napoleon Bonaparte but winds up wedding General Jean-Baptiste Bernadotte, an aid to Napoleon who later joins the forces that bring about the Emperor's downfall. Joséphine de Beauharnais, a worldly courtesan marries Napoleon and becomes Empress of France, but is then cast aside by her spouse when she proves unable to produce an heir to the throne.—alfiehitchie

Désirée

Désirée (1954)

Philip Ober

Eiji Okada

Pat Hingle

An intelligent, articulate scholar, Harrison MacWhite, survives a hostile Senate confirmation hearing at the hands of conservatives to become ambassador to Sarkan, a southeast Asian country where civil war threatens a tense peace. Despite his knowledge, once he's there, MacWhite sees only a dichotomy between the U.S. and Communism. He can't accept that anti-American sentiment might be a longing for self-determination and nationalism. So, he breaks from his friend Deong, a local opposition leader, ignores a foreman's advice about slowing the building of a road, and tries to muscle ahead. What price must the country and his friends pay for him to get some sense?—

The Ugly American

The Ugly American (1963)

Angela Stevens

Carey Loftin

Lee Marvin

Cop-hating Johnny Strabler is recounting the fateful events that led up to the "whole mess" as he calls it, his role in the mess and whether he could have stopped it from happening. The Black Rebels, a motorcycle gang of which Johnny is the leader, cause a ruckus using intimidation wherever they go, with their actions bordering on the unlawful. On the day of the mess, they invade a motorcycle racing event, at which they cause a general disturbance culminating with one of the gang members stealing a second place trophy to give to Johnny. Despite not being the larger winning trophy, it symbolizes to Johnny his leadership within the group. Their next stop is a small town where their disturbance and intimidation tactics continue. Some in town don't mind their arrival as long as they spend money. Harry Bleeker, the local sheriff, doesn't much like them but is so ineffective and weak that he doesn't do anything to stop them, much to the annoyance of some of the other townsfolk, who see the gang as being a criminal element not to be tolerated. Johnny is attracted to the innocent Kathie Bleeker, the waitress at the local café, who is initially intimidated by Johnny and the gang. His feelings change when he learns she is Sheriff Bleeker's daughter. The actions of the gang escalates when the Beetles, a splinter group of the Black Rebels, arrive in town. As things start to get out of hand between the gangs, some of the townsfolk, such as Charlie Thomas who is in his own right a bully albeit one of the "establishment", decide to take matters into their own hands. But Kathie may make Johnny change his beliefs, especially about what is happening this day in the town.—Huggo

The Wild One

The Wild One (1953)

Jean-Pierre Léaud

Maria Schneider

Catherine Breillat

While looking for an apartment, Jeanne, a beautiful young Parisienne, encounters Paul, a mysterious American expatriate mourning his wife's recent suicide. Instantly drawn to each other, they have a stormy, passionate affair, in which they do not reveal their names to each other. Their relationship deeply affects their lives, as Paul struggles with his wife's death and Jeanne prepares to marry her fiance, Tom, a film director making a cinema-verite documentary about her.—Erich Schneider

Last Tango in Paris

Last Tango in Paris (1972)

Julia Louis-Dreyfus

Madonna

Ronald Reagan

In this cinematic concert, mesmerizing images are plucked from everyday reality, then visually altered with state-of-the-art digital techniques. The result is a chronicle of the shift from a world organized by the principles of nature to one dominated by technology, the synthetic and the virtual. Extremes of intimacy and spectacle, tragedy and hope fuse in a tidal wave of visuals and music, giving rise to a unique, artistic experience that reflects the vision of a brave new globalized world.—Sujit R. Varma

Naqoyqatsi

Naqoyqatsi (2002)

Margo

Anthony Quinn

In 1909, Emiliano Zapata, a well-born but penniless Mexican Mestizo from the southern state of Morelos, comes to Mexico City to complain that their arable land has been enclosed, leaving them only in the barren hills. His expressed dissatisfaction with President Diaz's response puts him in danger, and when he rashly rescues a prisoner from the local militia, he becomes an outlaw. Urged on by a strolling intellectual, Fernando, he supports the exiled Don Francisco Madero against Diaz and becomes the leader of his forces in the South as Francisco 'Pancho' Villa is in the North. Diaz flees, and Madero takes his place, but he is a puppet president in the hands of the army leader Huerta, who has him assassinated when he tries to express solidarity for the men who fought for him. Zapata and Villa return to arms; successful in victory, they seek a leader for the country. Zapata unwillingly takes a job, but later he responds to petitioners from his own village with no more reassurance than Diaz had years before. Realizing that with power his idealism has gone, he returns with them to Morelos, specifically to investigate their complaints against his brother Eufemio. New leaders take his place and, egged on by indomitable Fernando, they decide that Zapata is a threat to their regime.—alfiehitchie

Viva Zapata!

Viva Zapata! (1952)

Gene Hackman

Richard Donner

Christopher Reeve

Just before the destruction of the planet Krypton, scientist Jor-El sends his infant son Kal-El on a spaceship to Earth. Raised by kindly farmers Jonathan and Martha Kent, young Clark discovers the source of his superhuman powers and moves to Metropolis to fight evil. As Superman, he battles the villainous Lex Luthor, while, as novice reporter Clark Kent, he attempts to woo co-worker Lois Lane—Jwelch5742

Superman

Superman (1978)

George Takei

John Logan

A German living in India during World War II is blackmailed by the English to impersonate an SS officer on board a cargo ship leaving Japan for Germany carrying a large supply of rubber for tires. His mission is to disable the scuttling charges so the captain cannot sink the ship if they are stopped by English warships.—Daniel Bruce

Morituri

Morituri (1965)

Mickey Kuhn

Kim Hunter

Vivien Leigh

Blanche DuBois, a high school English teacher with an aristocratic background from Auriol, Mississippi, decides to move to live with her sister and brother-in-law, Stella and Stanley Kowalski, in New Orleans after creditors take over the family property, Belle Reve. Blanche has also decided to take a break from teaching as she states the situation has frayed her nerves. Knowing nothing about Stanley or the Kowalskis' lives, Blanche is shocked to find that they live in a cramped and run down ground floor apartment - which she proceeds to beautify by putting shades over the open light bulbs to soften the lighting - and that Stanley is not the gentleman that she is used to in men. As such, Blanche and Stanley have an antagonistic relationship from the start. Blanche finds that Stanley's hyper-masculinity, which often displays itself in physical outbursts, is common, coarse and vulgar, being common which in turn is what attracted Stella to him. Beyond finding Blanche's delicate hoidy-toidy act as putting on airs, Stanley, a plant worker, believes she may really have sold Belle Reve and is withholding Stella's fair share of the proceeds from them. What further affects the relationship between the three is that Stella is in the early stage of pregnancy with her and Stanley's first child. Soon after her arrival at the Kowalskis, Blanche starts to date Mitch, one of Stanley's friends and coworkers who is a little softer around the edges than most of Stanley's friends. Mitch does not hide the fact that he is looking in general to get married because of a personal issue, he wanting Blanche ultimately to be his wife. Mitch is somewhat unaware that Blanche has somewhat controlled their courtship to put herself in the best possible light, both figuratively and literally. But in Stanley's quest to find out the truth about Belle Reve and Blanche's life in Auriol, the interrelationships between Stanley, Blanche, Stella and Mitch may be irrevocably affected, with any revelation about that life which may further destroy what's left of Blanche's already damaged mental state.—Huggo

A Streetcar Named Desire

A Streetcar Named Desire (1951)

Eva Marie Saint

Martin Balsam

Fred Gwynne

A longshoreman and ex boxer named Terry Malloy witnesses a murder perpetrated by his corrupt union. When a beautiful young woman comes into the picture that just so happens to be the murdered man's sister, Terry feels obligated to stand up to his bosses as a result of his recent relations with her.—drewsoccer707

On the Waterfront

On the Waterfront (1954)

Susan Sarandon

Michael Gambon

Donald Sutherland

Ben du Toit (Donald Sutherland) is a schoolteacher who always has considered himself a man of caring and justice, at least on the individual level. When his gardener, Stanley's (Zakes Mokae's) son, Jonathan (Bekhithemba Mpofu), is brutally beaten up by the Police at a demonstration by black school children, he gradually begins to realize his own society is built on a pillar of injustice and exploitation.—Mattias Thuresson

A Dry White Season

A Dry White Season (1989)

Harry Andrews

Stephanie Beacham

Anna Palk

Prequel to the Henry James classic "Turn of the Screw" about the events leading up to the deaths of Peter Quint and Ms. Jessel, and the the slow corruption of the children in their care.—Humberto Amador

The Nightcomers

The Nightcomers (1971)

John Saxon

Larry D. Mann

Matt Fletcher, a Mexican-American buffalo hunter is constantly harassed and humiliated by bandit general Chuy Medina. When the bandit steals his horse - the appaloosa of the title - he sets out to even scores; at the climax, single-handedly, he takes on the whole gang.—alfiehitchie

The Appaloosa

The Appaloosa (1966)

Turam Quibo

Álvaro Medrano

Thomas Lyons

The professional mercenary Sir William Walker instigates a slave revolt on the Caribbean island of Queimada in order to help improve the British sugar trade. Years later he is sent back to deal with the same rebels that he built up because they have seized too much power that now threatens British sugar interests.—Anonymous

Burn!

Burn! (1969)

Samuel L. Jackson

Arnold Schwarzenegger

Audrey Hepburn

In 1979, James Baldwin wrote a letter to his literary agent describing his next project, "Remember This House." The book was to be a revolutionary, personal account of the lives and assassinations of three of his close friends: Medgar Evers, Malcolm X and Martin Luther King, Jr. At the time of Baldwin's death in 1987, he left behind only 30 completed pages of this manuscript. Filmmaker Raoul Peck envisions the book James Baldwin never finished.—Jwelch5742

I Am Not Your Negro

I Am Not Your Negro (2016)

Dennis Hopper

James Garner

Ricardo Montalban

Major Lloyd Gruver, a Korean War flying ace reassigned to Japan, staunchly supports the military's opposition to marriages between American troops and Japanese women. But that's before Gruver experiences a love that challenges his own deeply set prejudices... and plunges him into conflict with the U.S. Air Force and Japan's own cultural taboos.—alfiehitchie

Sayonara

Sayonara (1957)

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