Christopher Walken

Martin Balsam

Sean Connery

Margaret Hamilton

A thief (Duke Anderson) just released from ten years in jail, takes up with his old girlfriend (Ingrid) in her posh apartment. He makes plans to rob the entire building. What he doesn't know is that his every move is recorded on audio and video tape, although he is not the subject of any surveillance.—Zeke M. Towson

The Anderson Tapes

The Anderson Tapes (1971)

Barbara Harris

Jason Robards

William Daniels

12-year-old Nick lives with his Uncle Murray, a Mr. Micawber-like Dickensian character who keeps hoping something won't turn up. What turns up is a social worker who falls in love with Murray and a bit in love with Nick. As the child-welfare people try to force Murray to become a conventional man (the price they demand for allowing him to keep Nick), the nephew, who until now has gloried in his uncle's iconoclastic approach to life, tries to play mediator. But when he succeeds, he is alarmed by the uncle's willingness to cave in to society in order to save the relationship.—Warlen Bassham

A Thousand Clowns

A Thousand Clowns (1965)

Al Pacino

Bob Balaban

Elsa Lanchester

Since she was a child, Natalie Miller has always thought she was an ugly ducking. Despite her mother's encouragement that she will grow up to be pretty, Natalie has never believed it will happen. She rents a Greenwich Village apartment from an eccentric landlady and gets a job at the Topless Bottom Club. She rides a motorcycle to work, decorates her loft with a moose head, and rides up and down a dumbwaiter to get to her apartment. There Natalie meets David an artist, and the two have a love affair before she discovers he is married.—alfiehitchie

Me, Natalie

Me, Natalie (1969)

Demi Moore

Andie MacDowell

Thom Bierdz

Seven friends - Alec, Billy, Jules, Kevin, Kirby, Leslie and Wendy - are trying to navigate through life and their friendships following college graduation. Alec, who aspires to political life, has just shown his true colors by changing his allegiance from Democrat to Republican, which freaks out girlfriend Leslie, who he wants to marry. Budding architect Leslie, on the other hand, has an independent streak. She believes she has to make a name for herself to find out who she is before she can truly commit to another person in marriage. But Leslie and Alec have decided to live together. Because Leslie refuses to marry Alec, he believes that justifies certain behavior. Kirby, who wants to become a lawyer and who pays for his schooling by working as a waiter at their local hangout called St. Elmo's Bar, and struggling writer Kevin are currently roommates. They are on opposite extremes of the romance spectrum. Kirby has just reconnected with Dale Biberman, a slightly older woman he knew in college who is now a doctor. He is madly in love with her and will do *anything* to impress her. Kevin, on the other hand, doesn't date and states he doesn't believe in love, making his friends speculate that he's a closet homosexual who is secretly in love with Alec. Kevin will eventually open himself up to the one friend who matters the most. Billy, married with a child, is the irresponsible one of the group who would rather sleep around and play the saxophone than face the realities of being an adult with family commitments. He still lives for the memory of his fraternity glory days. Virginal and sheltered Wendy, who comes from a wealthy family, works in a low paying social services job. Her family provides for all her financial needs. She is in love with Billy, who in turn takes advantage of her adoration of him. And most are concerned about Jules, who works in a bank, lives a life of excess in all facets and doesn't have the financial means to live that lifestyle. The question for all seven becomes whether their friendship can survive adult real life.—Huggo

St. Elmo's Fire

St. Elmo's Fire (1985)

Julie Benz

E.G. Marshall

Harvey Keitel

"The Facts in the Case of Mr. Valdemar": Gold-digger Jessica Valdemar and her lover Dr. Robert Hoffman plot to take the money of her old and terminal husband Ernest Valdemar. Robert has hypnotized Valdemar to give his money to Jessica. Out of the blue, Valdemar dies while hypnotized and is stranded between the world of the living and the dead. Robert finds the experience fascinating and Valdemar asks him to take him out of the trance since other spirits are stalking him. However, Jessica shoots Valdemar's corpse twice, expecting to end his contact with the world of the living. But soon she learns that Valdemar had already been possessed by evil forces. "The Black Cat": In Pennsylvania, tabloid photographer Roderick Usher explores gruesome crime scenes where Detective Legrand is investigating. Rod has been living with his violinist girlfriend Annabel for four years. When she brings home a stray black cat, Rod immediately hates the animal. He takes photos torturing the cat for his book and the cat vanishes. When Annabel sees the photos of the cat in a bookstore, she concludes that Rod killed her cat and decides to leave him. Meanwhile Rod finds a stray cat in a bar identical to the one he killed and the owner Eleonora gives him the animal.a Annabel is leaving the house, but she overhears the cat and returns to her room. Rod kills her and builds a wall to hide her body behind a bookshelf and prepares a solid alibi. But the black cat dooms his fate.—Claudio Carvalho, Rio de Janeiro, Brazil

Two Evil Eyes

Two Evil Eyes (1990)

Austin Pendleton

Jon Voight

A bombardier in World War II tries desperately to escape the insanity of the war. However, sometimes insanity is the only sane way to cope with a crazy situation. Catch-22 is a parody of a "military mentality", and of a bureaucratic society in general.—Jeffrey Struyk

Catch-22

Catch-22 (1970)

Donald Sutherland

Richard Widmark

Phil Brown

Richard Widmark plays a hardened cold-warrior and captain of the American destroyer USS Bedford. Sidney Poitier is a reporter given permission to interview the captain during a routine patrol. Poitier gets more than he bargained for when the Bedford discovers a Soviet sub in the depths and the captain begins a relentless pursuit, pushing his crew to the breaking point. This one's grim tension to the end.—KC Hunt

The Bedford Incident

The Bedford Incident (1965)

David Rappaport

Hector Elizondo

In the late 1950s, a British hireling is sent to Cuba to train Batista's army. They must be trained to fight Castro's army. While there, the Brit encounters an old love, who is married. While Castro's army wins more and more, their love revives.—R. Kessen

Cuba

Cuba (1979)

Annette O'Toole

M. Emmet Walsh

Faye Dunaway

Jack Crabb is 121 years old as the film begins. A collector of oral histories asks him about his past. He recounts being captured and raised by indians, becoming a gunslinger, marrying an indian, watching her killed by General George Armstrong Custer, and becoming a scout for him at Little Big Horn.—John Vogel

Little Big Man

Little Big Man (1970)

Dante Cleri

Franco Nero

Michael Forest

One of the first films about the mafia occurrence, in which the fight is hopeless, because "the polyp's feeler" reaches everything and everybody. A police inspector and a deputy public prosecutor try to prove that the architect in the city is in the mafia.—Kornel Osvart

Confessions of a Police Captain

Confessions of a Police Captain (1971)

Lee J. Cobb

Eva Marie Saint

Marlon Brando

A longshoreman and ex boxer named Terry Malloy witnesses a murder perpetrated by his corrupt union. When a beautiful young woman comes into the picture that just so happens to be the murdered man's sister, Terry feels obligated to stand up to his bosses as a result of his recent relations with her.—drewsoccer707

On the Waterfront

On the Waterfront (1954)

Gregory Peck

Polly Bergen

Joan Staley

Having nothing but time on his hands, brutal, irredeemable criminal Max Cady re-enters the life of strait-laced lawyer and family man Sam Bowden after serving a life-changing eight-year stint in jail for assault. Now, nothing can prevent Max from getting what he wants, and driven by the unquenchable desire to get even, the sadist with the chilling smirk sets a sinister cat-and-mouse game in motion. In the following days, as Cady takes pleasure in pushing Bowden's buttons in a relentless campaign of psychological warfare, the psychotic ex-con will have Bowden and his family peering over their shoulders, hell-bent on destroying the district attorney who sent him to prison. Can Sam protect what he holds dear? Will the nightmare in Cape Fear ever end?—Nick Riganas

Cape Fear

Cape Fear (1962)

Mickey Rooney

George Peppard

Audrey Hepburn

Holly Golightly, an elegant Upper East Side socialite spending her time between wild parties and mysterious day trips to Sing Sing, is confident that she has seen and done everything before. But her life is about to get complicated. As if trying to find an identity weren't challenging enough, the impeccably dressed fortune hunter finds herself off guard when struggling writer Paul Varjak becomes her new neighbour. But Paul, too, isn't impervious to Holly's effortless allure. Little by little, as the handsome tenant surrenders to the moment, eager to hijink around the city in the name of fresh excitement, sublime feelings of tenderness flood Paul's world-weary heart. After all, the uninspired author and the unstoppable dream girl are meant for each other, even though they quietly struggle to keep their past at bay. Now, potent feelings have the final say; there's no room for pride in love. And in New York City's bustling Fifth Avenue, a romance blooms. Can an early morning breakfast at Tiffany's be the prelude to a breezy love affair?—Nick Riganas

Breakfast at Tiffany's

Breakfast at Tiffany's (1961)

Edmond O'Brien

Ava Gardner

Kirk Douglas

An unpopular U.S. President manages to get a nuclear disarmament treaty through the Senate, but finds that the nation is turning against him. Jiggs Casey, a Marine Colonel, finds evidence that General Scott, the wildly popular head of the Joint Chiefs and certain Presidential Candidate in 2 years is not planning to wait. Casey goes to the president with the information and a web of intrigue begins with each side unsure of who can be trusted.—John Vogel

Seven Days in May

Seven Days in May (1964)

Kenneth McMillan

Carey Loftin

Four seemingly unrelated men board subway train Pelham 1:23 at successive stations. Mr. Blue, Mr. Green, Mr. Grey and Mr. Brown are heavily armed and overpower the motorman and novice conductor to take control of the train. Between stations they separate the front car from the remainder of the train, setting passengers in the back cars and the motorman free. The four demand $1 million ransom within exactly one hour for the remaining eighteen hostages, including the conductor. If their demands are not met in time or their directions are not followed precisely, they will begin to shoot hostages dead, one every minute the money is late. Wisecracking Lt. Zach Garber of the transit police ends up being the primary communicator between the hijackers and the authorities, which includes transit operations, his own police force, the NYPD, and the unpopular and currently flu ridden mayor who will make the ultimate decision of whether to pay the ransom. Unknown to Garber, what may be working on their side is the disparate nature of the four hijackers, including methodical and unbending Blue, trigger happy Grey, and also under the weather Green, who may pass out before the caper has concluded. What Garber does know is that there is a plain clothes NYPD officer among the eighteen hostages. What Garber has to try and figure out is how the four hijackers can possibly get away, as they are in a tunnel and have to remain with the train since it has a dead-man mechanism which requires a motorman at the controls at all times.—Huggo

The Taking of Pelham One Two Three

The Taking of Pelham One Two Three (1974)

Vanessa Redgrave

Jacqueline Bisset

The first class compartment of the December 1935 departure of the Orient Express from Istanbul is full, unusual for this time of the year. Regardless, famed and fastidious Belgian detective, Hercule Poirot, who needs to get back to London immediately, is able to secure last minute passage in the compartment with the assistance of his friend, Signor Bianchi, one of the directors of the train line who is also making the trip. Some of the first class passengers seem concerned about Poirot's presence on the train. At least one of them has reason to be concerned, as later, another first class passenger, who earlier in the trip asked Poirot to provide protection for him due to several death threats, is found murdered in his stateroom by multiple stabbings. At the time the victim is found, the train is unexpectedly stopped and delayed due to snow in remote Yugoslavia, which may be problematic for the murderer in getting away now that Poirot is on the case, which he is doing as a favor to Bianchi as not to get the Yugoslav police involved. Poirot quickly learns that the victim was not who he presented himself to be and has a connection to a five-year-old American kidnapping and murder case of infant Daisy Armstrong, murdered in spite of the fact that her parents had paid the requested ransom. The murderer in that case has long been convicted and executed but the ransom moneys were never recovered, a known accomplice never captured, and both the Armstrong parents have since tragically died. As Poirot questions the train's valet, the victim's accompanying staff, and the other primarily well off first class passengers and their accompanying servants, who are all on the surface more than cooperative, he finds that many had opportunity and motive, the latter which may not be obvious. There is also a great deal of evidence discovered on the train, which pulls his thoughts in many directions. These pieces of information may complicate the deduction of who is the murderer.—Huggo

Murder on the Orient Express

Murder on the Orient Express (1974)

Norman Alden

Joseph Cotten

This dramatic retelling of the Pearl Harbor attack details everything in the days that led up to that tragic moment in American history. As United States and Japanese relations strain over the U.S. embargo of raw materials, Air Staff Officer Minoru Genda (Tatsuya Mihashi) plans the preemptive strike against the United States. Although American intelligence agencies intercept Japanese communications hinting at the attack, they are unwilling to believe such a strike could ever occur on U.S. soil.—Jwelch5742

Tora! Tora! Tora!

Tora! Tora! Tora! (1970)

Bryan Clark

Jack Warden

John Randolph

In the run-up to the 1972 elections, Washington Post reporter Bob Woodward covers what seems to be a minor break-in at the Democratic Party National headquarters. He is surprised to find top lawyers already on the defense case, and the discovery of names and addresses of White House fund organizers on the accused further arouses his suspicions. The editor of the Post is prepared to run with the story and assigns Woodward and Carl Bernstein to it. They find the trail leading higher and higher in the White House.—Jeremy Perkins {J-26}

All the President's Men

All the President's Men (1976)

Liam Neeson

Mykelti Williamson

Chuck Norris

1985. Five years after the botched attempt to rescue American hostages in Tehran, Colonel Nick Alexander's elite Delta Force unit is called in to handle a volatile situation: stop armed-to-the-teeth terrorists who have hijacked American Travel Ways Flight 282. As the violent revolutionaries force the captain to fly the crammed-with-people Boeing 707 to Beirut, seasoned deputy commander Major Scott McCoy and his highly trained commandos embark on a suicide mission to rescue the passengers. This time, the men are determined to give the enemy hell and come home in one piece. But this is a dangerous, white-knuckle race against time. Can McCoy's super-soldiers do the impossible and avenge the honour of the United States?—Nick Riganas

The Delta Force

The Delta Force (1986)

Alfred Hitchcock

Janet Leigh

Jeanette Nolan

Phoenix office worker Marion Crane is fed up with the way life has treated her. She has to meet her lover Sam in lunch breaks, and they cannot get married because Sam has to give most of his money away in alimony. One Friday, Marion is trusted to bank forty thousand dollars by her employer. Seeing the opportunity to take the money and start a new life, Marion leaves town and heads towards Sam's California store. Tired after the long drive and caught in a storm, she gets off the main highway and pulls into the Bates Motel. The motel is managed by a quiet young man called Norman who seems to be dominated by his mother.—Col Needham

Psycho

Psycho (1960)

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