Michel Piccoli

Louis Aragon

Elsa Triolet

The story of a poet's (Louis Aragon) love for his wife, the writer Elsa Triolet.

Elsa la rose

Elsa la rose (1966)

Gérard Lanvin

Janez Vrhovec

Catherine Lachens

In a futuristic society, contestants pit their survival skills against each other in a fight to the death for cash prizes, and the contest is aired live on television.

The Prize of Peril

The Prize of Peril (1983)

Valérie Lemercier

Harriet Walter

François Berléand

Like Vanya, in Malle's last film, Milou never left the family estate. His mother dies during the May 1968 student uprising in Paris. The brother who is the London correspondent for Le Monde keeps turning up the volume of the radio for the latest news. A deceased sister's interest in the estate is represented by a niece who is an antique dealer, who is most interested in grandmother's emerald ring that Milou's daughter Camille has already slipped on her finger. A non-relative, a truck driver who can't deliver his load of tomatoes in Paris, brings a nephew who was part of the uprising. Everyone is on strike and the matriarch can't be buried.—Dale O'Connor

May Fools

May Fools (1990)

Larry Arnold

Alfred Hitchcock

Richard Derr

A high ranking Russian official defects to the U.S., where he is interviewed by U.S. Agent Michael Nordstrom. The defector reveals that a French spy ring codenamed "Topaz" has been passing N.A.T.O. secrets to the Russians. Michael calls in his French friend and counterpart Andre Devereaux to expose the spies.—Col Needham

Topaz

Topaz (1969)

Annabelle Dexter-Jones

Eva Mendes

Kylie Minogue

From dawn to dusk, a few hours in the life of Monsieur Oscar, a shadowy character who journeys from one life to the next. He is, in turn, captain of industry, assassin, beggar, monster, family man. He seems to be playing roles, plunging headlong into each part - but there are no cameras present.

Holy Motors

Holy Motors (2012)

Luis Buñuel

Claudio Brook

Delphine Seyrig

Two vagabonds Jean (Laurent Terzieff) and Pierre (Paul Frankeur) are hitching a ride from Paris to Spain as a pilgrimage to Santiago de Compostels to pray over the remains of Saint James. As the two travel by whatever methods they can get and depending on the locals for food, they seem to shift their existence in time, flashing back to biblical times, medieval times, and renaissance times to scenes confronting and examining theological texts and arguments surrounding heresy. Along the way Jean and Pierre meet up with Jesus (Bernard Verley) showing off his abilities, and the Marquis de Sade (Michel Piccoli) begins a new relationship with a young girl in chains, and also Satan (Pierre Clementi) who appears during a car crash to establish some interesting points about religion. In the end our two beggars realize some interesting new ideas about the world they inhabit.

The Milky Way

The Milky Way (1969)

Emmanuelle Béart

Jane Birkin

Daphne Goodfellow

The former famous painter Frenhofer lives quietly with his wife in his countryside residence in the French Provence. When the young artist Nicolas visits him with his girlfriend Marianne, Frenhofer decides to start working again on a painting called 'La Belle Noiseuse', which he gave up a long time ago. And he wants Marianne as a model. The ensuing creative process will change the characters' lives. It will become a struggle for truth and meaning, and the question about the limits of art will arise.—Jens Bertheau

La belle noiseuse

La belle noiseuse (1991)

Asia Argento

Léa Seydoux

Mathieu Amalric

After a freak accident, Burt finds himself locked in a coffin overnight. After surviving the ordeal, he decides to live his life purely for pleasure, but ultimately he finds himself in a bizarre war of the sexes. Starring Lea Seydoux (BLUE IS THE WARMEST COLOR).

On War

On War (2008)

Ángela Molina

Carole Bouquet

Milena Vukotic

Just after boarding a train, much to the surprise of his fellow passengers, a man pours a bucket of water over a young girl on the platform. Over the next few hours he explains (and we see in flashback) how he became obsessed by her (so much so that he failed to notice that she was played by two different actresses, representing different sides of her personality), and how she tantalised him, but would never allow him to satisfy his desire for her...—Michael Brooke

That Obscure Object of Desire

That Obscure Object of Desire (1977)

Jean-Paul Belmondo

Monique Hennessy

Carl Studer

Fresh out of prison and hell-bent on revenge, the recently paroled burglar, Maurice Faugel, finds himself, once more, on the run from the police after what should have been a quick and simple robbery. Now, under shady circumstances, everything points to Maurice's former friend and partner-in-crime, Silien: a cold-blooded, stony-faced gangster who has a reputation for being an unscrupulous informer. However, did Silien truly rat on Faugel? After all, in the heart of the ruthless Parisian underworld where one must choose between lying or dying, Silien seems willing to redeem his already tattered reputation, of course, in his own twisted way. In the end, is the so-called honour among thieves nothing but a mere myth?—Nick Riganas

Le Doulos

Le Doulos (1962)

Catherine Deneuve

Françoise Dorléac

Jacques Perrin

Delphine and Solange are two sisters living in Rochefort. Delphine is a dancing teacher and Solange composes and teaches the piano. Maxence is a poet and a painter. He is doing his military service. Simon owns a music shop, he left Paris once month ago to come back where he fell in love 10 years ago. They are looking for love, looking for each other, without being aware that their ideal partner is very close... A film whose scenario is much less important than its feeling of euphory, according to the director Jacques Demy.—Yepok

The Young Girls of Rochefort

The Young Girls of Rochefort (1967)

Dominique Sanda

Patrick Joly

Marie-Pierre Feuillard

A film musical in which every line is sung. The frame is about workers during a strike. They also prepare and perform a demonstration. Two personal relations develop against this background. François abandons his pregnant girlfriend Violette. She feels treated even more unjust when he tries to defend and excuse his behaviour. He had met a very beautiful over-class girl, Edith, and both were immediately overwhelmed by genuine and reciprocal passion. Edith lived in a very unsatisfactory marriage. She was the daughter of the widow from which François rented his room. Nevertheless, he met her in the street, where she just opened her fur coat and was starch naked under it. They will be together in great passion for just one night and day. At the demonstration François is shot by the police and dies in Edith's arms. - The music is closer to opera than in any other film musical by Jacques Demy. But the greatest difference is that he has devoted much more effort to the task of instructing the singers to reveal the psychic emotions of the text and events.—Max Scharnberg, Stockholm, Sweden

A Room in Town

A Room in Town (1982)

Willem Dafoe

Irène Jacob

Joseph Stalin

A, an American film director of Greek ancestry, is making a film that tells his story and the story of his parents. It is a tale that unfolds in Italy, Germany, Russia, Kazakhstan, Canada and the USA. The main character is Eleni, who is claimed and claims the absoluteness of love. At the same time the film is a long journey into the vast history and the events of the last fifty years that left their mark on the 20th century. The characters in the film move as though in a dream. The dust of time confuses memories. A searches for them and experiences them in the present.—Theo Angelopoulos

Trilogia II: I skoni tou hronou

Trilogia II: I skoni tou hronou (2008)

Jeanne Moreau

Marcel Le Floch

Michel Dacquin

Celestine, the chambermaid, has new job on the country. The Monteils, who she works for are a group of strange people. The wife is frigid, her husband is always hunting (both animals and women) and her father is a shoe-fetishist. Joseph, the farm-labourer is a fascist and sexually attracted to Celestine. Celestine settles herself and talks to the neighbour, an ex-officer, who likes damaging his neighbour's things. After the death of the old man, she quits her job, but because of the rape and murder of a child 'Little Claire' she decides to stay, believing that Joseph is the murderer. To get his confession she sleeps with him and promises to marry him. In spite of her engagement she fakes evidence to implicate him in the murder. He is arrested, but is released because the evidence is inconclusive. She marries the ex-officer and takes on a housewife role similar to that of Madame Monteil.—Stephan Eichenberg

Diary of a Chambermaid

Diary of a Chambermaid (1964)

Marcello Mastroianni

Philippe Noiret

James Campbell

Having organised a lavish gastronomic seminar right under everyone's noses, grizzled friends and members of the professional bourgeoisie--chef Ugo, a restaurant owner; international libertine Marcello, an Alitalia pilot; refined Michel, a successful television producer; and sheltered Philippe, a venerable magistrate--gather for a weekend of debaucherous fun at a Parisian villa. As truckloads of the finest meat and wine arrive, the four companions prepare for a Romanesque banquet; however, something is missing. And before long, three elegant prostitutes join the eclectic quartet of hungry epicures. Now the stage seems set for a magnificent, unrestrained, Bacchanalian feast. After all, the extravagant hedonists are bent on carrying out their morbid secret plan to the letter. But how do you eat an elephant? One bite at a time.—Nick Riganas

The Big Feast

The Big Feast (1973)

Jack Palance

Jean-Luc Godard

Brigitte Bardot

Not satisfied with the script for his new movie, producer Jeremy Prokosch hires screenwriter Paul Javal to write a new one. Javal seems oblivious to Prokosch's obvious interest in Javal's pretty wife Camille. As Javal becomes ever more engrossed in writing the screenplay, Camille comes to resent him, thinking her husband is pushing her into the producer's arms for his own benefit.—garykmcd

Contempt

Contempt (1963)

Terry-Thomas

Marisa Mell

John Phillip Law

In psychedelic swinging 60s style, the dreaded thief Diabolik wreaks havoc on a generic European country for his own financial gain and amusement. He shares an extravagant underground lair (and a giant bed of money) with his curvaceous, beautiful girlfriend...who uses her awesome powers to help Diabolik foil gangsters and steal billions from the government. As the anti-hero of the film, Diabolik must face off against bumbling cops and revenge-seeking mafiosi.—Michael "Rabbit" Hutchison

Danger: Diabolik

Danger: Diabolik (1968)

Simone Signoret

Yves Montand

Mylène Demongeot

Salem, 1692. Industrious farmer, John Proctor, has twice made love to 17-year-old Abigail, a youth he and his wife have taken in. (His wife Elisabeth has rebuffed him for seven months; she is puritanical and cold.) When she finds John and Abigail embracing, she sends the lass from her home and John, feeling damned, agrees. Abigail vows revenge. Her chance comes when she accuses Elisabeth of witchcraft and manipulates younger girls to support her claims of seeing spirits. The town's minister and politicians want a cause: ridding the town of witchcraft is the ideal repression. John too, is accused; Abigail offers him a way to avoid hanging. Elisabeth has her own confession.—

The Crucible

The Crucible (1957)

Monica Vitti

Jean Rochefort

As unusual, eccentric, and bizarre vignettes of mundane and seemingly innocuous conventions of our social and private lives success one another, somehow, Napoléon Bonaparte's troops, earthly monks, dangerous snipers, and the peculiar disappearance of a beloved one metamorphose into banal instances of our daily existence. With this in mind, under those surreal circumstances, the abnormal becomes normal, the obvious transforms into something unclear or even invisible, and the extraordinary transfigures into ordinary. But, are things always black and white? How real is the haunting spectre of liberty?—Nick Riganas

The Phantom of Liberty

The Phantom of Liberty (1974)

Jacqueline Bisset

Isabelle Huppert

Virginie Ledoyen

The upper-class owner of a gallery, Catherine Lelievre, hires the efficient and quiet maid Sophie to work in the family manor in the French countryside. Her husband Georges Lelievre, who is an opera lover, her daughter Melinda and her teenage son Gilles welcome Sophie and appreciate her work. Sophie soon befriends the postmistress Jeanne, who is a bad egg and encourages Sophie to rebel against her employers, but the maid stays submissive. However, Sophie is ashamed of a secret and feels uncomfortable in many situations, finding a way to hide her secret. When Georges tells Sophie that he does not want Jeanne in his house, Sophie stands up to him. Melinda discovers her secret and Sophie blackmails her, but Melinda tells her parents what happened. Georges fires Sophie and she returns to the house later with Jeanne on the rampage.—Claudio Carvalho, Rio de Janeiro, Brazil

The Ceremony

The Ceremony (1995)

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