Richard Harris

Barbara Feldon

Doris Day

Lisa Seagram

There is an on-going battle of industrial espionage between rival cosmetics companies: Femina, owned by Sir Jason Fox; and May Fortune, owned by Matthew Cutter. Caught between the two are, among others, top industrial designer Patricia Foster, who officially is on May Fortune's payroll after being fired by Femina; and Christopher White, a suave Brit who also is officially on May Fortune's payroll as Cutter's right-hand man. On the surface, Patricia is still working for Femina trying to steal the new top-secret formula for a water-repellent hairspray developed by Dr. Stuart Clancy for May Fortune--a hairspray which would make all other hairsprays obsolete; while Christopher secretly tries to stop her. Below the surface, it is unclear whether either Patricia or Christopher are working for May Fortune, Femina, or someone else. But as they progress through these surface missions, their true missions and true allegiances are eventually revealed--and they place both of them in mortal danger due to a recent story of an Interpol agent being killed in the Swiss Alps.—Huggo

Caprice

Caprice (1967)

Mary Stavin

Brent Huff

David Brass

After completing the deadly mission in Strike Commando (1987), hard-as-nails Sergeant Mike Ransom decides to hang up his spurs to lead a peaceful life somewhere in Central Asia. Instead, the abduction of his mentor and former commanding officer, Major Vic Jenkins, jolts Ransom into action. Now, murderous, heroin-smuggling terrorists demand 10 million dollars worth of diamonds to release Jenkins. But once a commando, always a commando. Do they really think they can stop Mike, the mean, one-man war machine?—Nick Riganas

Strike Commando 2

Strike Commando 2 (1988)

Richard Harrison

John Benedy

Florence Cayrol

Claude Boisson

A meeting takes place between an emir of an unspecified Middle Eastern nation, and Western diplomats of an unspecified country or countries. The emir presents the edited terms of an agreement he is ready to sign, but has rejected changes to "Clause Five." The Westerners refuse unless Clause Five is changed, and the emir storms out without having signed it, telling them they have lost a friend. One Westerner tells another that this was expected, so they will now execute "Plan One."Agent Benson arrives in a diplomatic building and receives his orders to execute what may be a suicide mission. If he is caught, he'll get no support from the agency, which he accepts in good nature as standard procedure.He arrives in a Mediterranean city at a hotel and meets agent Lorna. They make love in his room and she says she is angry about being left alone on their previous mission in Paris. A flashback plays in which they arrive Paris and contemplate leaving the agency (still unspecified) in the back of a taxi. But suddenly, their taxi driver pulls a gun and kidnaps them. He takes them under a bridge where he summons other thugs with guns to be taught a lesson by someone Benson has crossed in the past. Benson tells Lorna to run while he manages to subdue all the thugs one by one in a fistfight. Lorna has already run and jumped into the water and swam away, so Benson gets in the taxi and drives off. The flashback ends.Benson and Lorna go back to the hotel lobby and exchange pass phrases with the other agents, Paul, Hanson, and Chris. They set off on a boat ride. Meanwhile, enemy agents pursuing them, wearing white hats and brandishing handguns, show up at the hotel looking for Benson and Lorna, and threaten the hotel staff, who know nothing.On the boat, Lorna jumps into the water and swims to shore at a desert coast. When she gets out, she takes off her wet clothes, exposing her breasts, and runs in her panties up to the rendezvous point with the final member of the team, Louis. Benson explains that this is a tactic to flush out any Arabs who might ambush them, as they wouldn't be able to resist her.Getting the all clear, the other members of the boat rejoin her, and then a group of Arabs with guns shows up and captures the team. A couple members joke that perhaps they could resist Lorna's nude body because they are homosexuals. The team members lash out and fight their captors until they are all knocked unconscious and take their guns. Lorna puts her clothes back on.They meet up with Louis in a desert truck and drive all day towards an oasis. Nearing it, Benson insists they bury their weapons in case they are captured. Some members ask him what their mission is, but he won't say. Once they finish burying their weapons, a group of Bedouin Arabs on horses and camels with guns find them and insist they are trespassing and must be punished. The team insist they are tourists, but the Bedouin do not believe them.The team are taken back to their leader's tent, bound, and the leader is enamored with Lorna. He takes her to his tent and says her friends will be safe if she pleasures him. She says her people do not believe in doing favors for safety, but pleasures him anyway, then kills him with his own dagger. His death cry draws some of his men to check on him, but when they open his tent flap, Lorna pretends to be making love to him, and they leave. His men outside make small talk about raping Lorna when their chief is done with her, or if not her, at least the men, particularly Chris.Meanwhile Benson has worked his way out of his ropes and freed the rest of the team. He says they have to complete the mission at all costs and leave Lorna behind, so they flee, but he has a change of heart and returns to rescue Lorna, finding her already having gotten out of the Bedouin camp. She has accidentally set fire to the chief's tent, and all of his men are now after them. They quickly make it back to the buried weapons and unearth them, using them to kill or fend off most of the Bedouin. Realizing they are still outnumbered, they quickly drive the rest of the way to the oasis.There, Benson tells them their mission: they are to blow up an oil refinery. They sneak in and plant explosives. As it blows up, the refinery guards pursue them and gun down everyone but Benson, who sees Lorna die but himself escapes.In the next scene, Benson is recounting the tragic end of his mission to the man who originally tasked him with it, saying that only he escaped, "by some miracle." He shows sadness over the death of his team.Benson leaves the building. Outside, on the street, he is in a crosswalk. A car drives past and gunshots ring out. Benson turns to the car with the gunman, then falls dead in the street, his previous task masker explaining in a voiceover that the "dead can not speak."

Strategia per una missione di morte

Strategia per una missione di morte (1979)

Scott Glenn

Patrick Stewart

Derek Thompson

Africa, 1977In a brief flashback to the previous movie, veteran British mercenary Allen Faulkner trains and then leads a group of 50 hired soldiers in an attempt to rescue deposed President Julius Limbani from the fictious African country of Simba. After initially being successful, the mission begins to fall apart, double-crossed and caught in the open, an enemy plane strafes Faulkner's men. With what few men remain Faulkner looks to escape the country in an old Dakota aeroplane. With only his best friend Rafer Janders is left to board the plane, Janders is shot in the leg and can't catch the taxiing plane. As the hoardes of ferocious Simbas are virtually upon him, Janders calls for Faulkner to kill him, which he regretfully does.London, 1982As the only surviving Nazi leader in captivity, Rudolf Hess (Laurence Olivier) has secrets that could destroy the careers of prominent political figures, secrets an international news network will pay any price to get. As the aged Alex Faulkner (Edward Fox) arrives for a meeting, Robert McCann (Robert Webber) is arguing with Michael Lukas about the delay of a planned rescue of Rudolf Hess. Faulkner is escorted into the office where he meets Michael and Kathy Lukas (John Terry and Barbara Carrera) where they show him a brief video tape and offer to let him name his price to rescue Hess. At first Faulkner thinks they are joking, but when he finds out they are serious, he tells them about the possible consequences of Hess's rescue. Faulkner refuses the offer but recommends John Haddad (Scott Glenn) to them as a substitute. As former Lebanese-American soldier-turned-mercenary Haddad avoids Palestinian hitmen in London. Later, network executives Kathy and Michael Lukas hire Haddad to free Hess and get him safely out of West Berlin.When Haddad arrives in West Berlin he stakes out the outside of Spandau as a jogger while being spied on. He drafts plans of the outside of the prison including guard towers and entrances. The next day Haddad joins a construction team and sneaks away to get into the prison guard entrance. Carefully eluding the guards by studying their timed patrols he drafts floor plans of the hallways and cell blocks. When he leaves the prison with the construction crew, Haddad is abducted by East German spy Karl Stroebling. Tortured into telling Stroebling about his mission, Haddad escapes and survives by overpowering the thugs and rolls across the street being barely missed run over from an oncoming truck as the police arrive as witnesses to the incident. While recovering in hospital, Haddad is visited by British Colonel Reed-Henry (Kenneth Haigh). Reed-Henry questions Haddad but to no avail; he leaves Haddad but suspects he is there to rescue Hess. Haddad leaves the hospital and along with Kathy goes to Bavaria to plan the mission without interference from Stroebling. Haddad enlists his old mercenary comrade Colonel Alex Faulkner to watch his back. Faulkner, a former British Army officer, is working as an assassin and is an expert marksman.As romance between Haddad and Kathy blossoms, the trio return to West Berlin to find that Reed-Henry will help Haddad release Hess. Once again Stroebling's thug's attempt to kill Haddad, but this time Faulkner helps him kill all but one of them. Meeting with Reed-Henry to discuss his plan, Haddad agrees to hand over Hess to the Colonel in exchange for help from Regimental Sergeant Major James Murphy (Paul Antrim). Murphy, an ex-warden at Spandau prison, informs Haddad of the prison routine and helps make the mercenaries look like British Royal Military Police. Stroebling offers to remove a contract on Haddad's life in exchange for Hess and the death of Faulkner. Haddad refuses and Stroebling leaves, frustrated.As the plan is finalised with the News network, Reed-Henry and Stroebling each believing they will receive Hess. Part of the plan involves a staged traffic accident so Haddad employs a fair ground wheel of death rider, Pierre (Malcolm Jamieson) to perform the deliberate crash. Attempting to (subjugate) Haddad into a vulnerable position using blackmail, Stroebling kidnaps Kathy. In exchange for guaranteeing her safety, Haddad must have a member of Stroebling's gang Patrick Hourigan (Derek Thompson) join the rescue group. Haddad and Faulkner are now joined by Kathy's brother and Lebanese mercenaries Joseph and Jamil. The group now including Hourigan are trained by Murphy. During one of Faulkner's fever spells, Hourigan substitutes Faulkner's medication with LSD tablets causing hallucinations. Hourigan taunts Murphy about an IRA ambush he participated in. Murphy shoots Hourigan dead, putting Haddad in a dilemma over Kathy's existing safety. Haddad enlists his final team members, Arab businessman Mustapha El Ali (Stratford Johns) and his employees, to do a couple of minor parts of the rescue. To appease Stroebling, Haddad offers Michael as extra insurance.Launching a coup that will change the shape of the world, Haddad must also rescue Michael and Kathy from the clutches of Stroebling. Michael creates a diversion for him and Kathy to escape but he is killed during the struggle when the guard retrieves his handgun and shoots him. Moments later Haddad kills the guards and rescues Kathy. The plan goes ahead as scheduled but Pierre is killed in the flaming wreck from the staged accident. Hess is sedated with an anasthetic, and switched with the look-alike corpse from the other ambulance and placed into a waiting jeep. At the rendezvous point at the Kaiser Wilhelm memorial Reed-Henry tries to intercept Hess, but discovers that he has been duped into killing Stroebling disguised as a guard. Kathy, Haddad and Faulkner take a drugged Hess to and from a soccer game with international passengers to their plane flight, and escape from being caught by murdering a customs officer. Reed-Henry confesses to his superiors that Hess has escaped with his rescuers and is nowhere to be found. He accepts execution via being shot with his own pistol from his superiors as his punishment.EpilogueHaddad, and Kathy and Faulkner take Hess to a hotel in Vienna, Austria where he awakens to find himself in an unfamiliar environment. Although he is offered the best hospitality, he insists on knowing why he was drugged while Kathy talks to McCann about the rescue and Michael's death. Hess, knowing that he is being exploited, overhears the conversation and tells Kathy, Haddad and Faulkner that he has no desire to be a part of modern society. Haddad and Faulkner try to talk him into accepting his freedom, but he insists on going back to Spandau to live the rest of his life. The following day Haddad, Kathy and Faulkner take Hess to the French embassy where he turns himself in. An article of a newspaper in the following days tells a story about a false rumor of Hess's escape.

Wild Geese II

Wild Geese II (1985)

Anthony Hopkins

Ian Holm

Omar Sharif

Some unknown maniac is threatening a navigation company to blow up one of its luxury transatlantics, the "Britannic", now in high sea with one thousand two hundred passengers. He is asking for a five hundred thousand pound sterling ransom, otherwise the seven bombs aboard will explode. An experienced anti-bomb squad is sent to the "Britannic", but although all the bombs are located, a very high skill level will be necessary to dismantle them. Perhaps that task is impossible.—Luis Carvacho

Juggernaut

Juggernaut (1974)

Bo Derek

Charlotte Rampling

Keenan Wynn

After witnessing his mate and child's death from Nolan's hands, Orca, the killer whale, goes on a rampage in the fishermen's harbor. Under the villagers' pressure, Nolan, Rachel and an Indian sail after the great beast, who will bring them on his own turf.—M Lalonde

Orca

Orca (1977)

James Earl Jones

Leleti Khumalo

Charles S. Dutton

South African church minister Steven Kumalo is summoned from his village to Johannesburg. There he finds that his son Absolom has been jailed in connection with a robbery in which a white man was killed. The father of the white man, James Jarvis, is a supporter of apartheid, the separation of the races which is the law of South Africa. When they encounter each other, both Kumalo and Jarvis come to unexpected realizations not only about their sons, but about the nature of their own humanity.—Jim Beaver

Cry, the Beloved Country

Cry, the Beloved Country (1995)

Sean Bean

Brendan Gleeson

John Hurt

"Bull" McCabe's family has farmed a field for generations, sacrificing endlessly for the sake of the land, and when the widow, who owns the field, decides to sell the field in a public auction, McCabe knows that he must own it. But while no one in the village would dare bid against him, an American with deep pockets decides that he needs the field to build a highway. The Bull and his son decide to convince the American to give up bidding on the field, but things go horribly wrong.—Kathy Li

The Field

The Field (1990)

Martin Sheen

Sophia Loren

Ava Gardner

"Outbreak" meets "The Runaway Train" as a motley group of passengers are quarantined on a train destined to prevent the spread of the disease at the cost of their lives. Government intrigue, international smuggling, and the legend of the Cassandra Crossing add to the suspense.—

The Cassandra Crossing

The Cassandra Crossing (1976)

Chuck Hicks

Sean Connery

Ian Abercrombie

Life is rough in the coal mines of 1876 Pennsylvania. A secret group of Irish immigrant miners known as the Molly Maguires fights against the cruelty of the mining company with sabotage and murder. A detective, also an Irish immigrant, is hired to infiltrate the group and report on its members. But on which side do his sympathies lie?—John Oswalt

The Molly Maguires

The Molly Maguires (1970)

Maurquis Boone

Nafessa Johnson

Hakim Clark

Loaded with a hilarious cast of comedians and internet personalities, The Bid follows Maurquis Boone and Richard "Philly Filthy Rich" Harris serving time for a crime they didn't commit. Locked up, Boone and Rich encounter a variety of hardened, yet hilarious characters as they fight to prove their innocence and make it out the penitentiary in one piece. Rich has done prison time in the past so he is comfortable during their incarceration, but Boone on the other hand, is totally out of his comfort zone and winds up violating all of the prison codes/ethics other inmates follow. Boone's nervous attitude and uneasy behavior places the duo in an abundance of hilarious jail house drama.

The Bid

The Bid (2021)

Lily Li

Kwok-Leung Wong

Phillip Ko

A case full of valuable diamonds ends up in the hands of an evil crime boss and it's up to a vengeful cop to take him down.

Lei ting chu chuan

Lei ting chu chuan (1985)

Timothy Dalton

Charles Gray

Alec Guinness

Disgusted with the policies of King Charles I, Oliver Cromwell plans to take his family to the New World. But on the eve of their departure, Cromwell is drawn into the tangled web of religion and politics that will result in the English Civil War.—Marg Baskin

Cromwell

Cromwell (1970)

Ian McShane

Gaby André

Joyce Van Patten

An American playwright living in Rome consults a quack psychiatrist to combat his fears of balding and save his failing marriage.

Pussycat, Pussycat, I Love You

Pussycat, Pussycat, I Love You (1970)

Jorge Russek

Geoffrey Lewis

Jorge Luke

In the 1840s, trappers with government backing push the Yellow Hands Sioux off their sacred land; they retreat into an apocalyptic spirituality, passively waiting for supernatural wrath to descend on their usurpers. Meanwhile, in England, Lord John Morgan feels his spirit weaken, so he returns to America to live again with the Yellow Hand. Finding them dispirited, he invigorates them as well as himself through self-imposed torture and other rituals. Once he convinces the clan to take direct action, Horse must devise a strategy to take the trappers' fort. The clan's women and boys take on special assignments to aid the assault to regain the sacred land.—

The Return of a Man Called Horse

The Return of a Man Called Horse (1976)

Judith Anderson

Dub Taylor

Iron Eyes Cody

During the early 1800s, English Lord John Morgan (Richard Harris) is hunting in the Dakotas, but he is captured by a group of Sioux warriors. Morgan's guides are killed, but he is spared by Sioux Chief Yellow Hand (Manu Tupou), who marvels at Morgan's blond hair. Brought to Yellow Hand's tribal village, Morgan has to endure physical abuse and mockery at the hands of women and children who consider him to be a wild horse. Restrained by a rope around his neck, Morgan is given as a gift to an old squaw, Buffalo Cow Head (Dame Judith Anderson), to be her slave and help her with daily chores. In the village, Morgan meets Running Deer (Corinna Tsopei), the beautiful young sister of Chief Yellow Hand. Morgan witnesses the traditional courtship process when Running Deer is asked in marriage by a tribe member who presents Yellow Hand with gifts in return for his sister's hand in marriage. Morgan starts to fall in love with her. Also in the village is half-breed, Batise (Jean Gascon), whose mother was Sioux and father was French. Batise becomes Morgan's friend and interpreter. Batise advises Morgan against escaping citing his own escape attempt when he was re-captured and hamstrung by the savage Sioux. Despite these warnings, Morgan tries to escape several times, but he is re-captured. He decides to bide his time for another escape opportunity. When a rival Shoshone war party approaches the Sioux village, Morgan kills two of the Shoshone scouts, winning the respect of his Sioux captors. Instead of escaping, Morgan plans to learn the ways of the Sioux, become a warrior, and gain his place amongst them. But this would require much more than killing a few Shoshone scouts. Lord John Morgan's true ordeal is just beginning.—nufs68

A Man Called Horse

A Man Called Horse (1970)

David McCallum

Laurence Harvey

Richard Todd

A troop of British soldiers are out in the jungle to record jungle noises and troop noises in the jungle so that the recordings can be played back by other troops to divert the enemy to their whereabouts. As they progress to what they think is closer to the base camp they find themselves farther and farther from radio range until the only channel they can get clearly is that of a Japanese broadcast. They now realize they are probably only 10 to 15 miles from a Japanese camp! The tension is added to by rowdy and openly admitted "non-hero" Private Bamforth who has nothing good to say about anyone and especially Corporal Johnstone (who holds an equal dislike for Bamforth). When a Japanese soldier is taken as their prisoner, the true colors of each man comes to the surface ...—McGinty

Jungle Fighters

Jungle Fighters (1961)

Jack Lam

Peter Ramwa

Tony Wong

When the Purple Ninja Empire get their hands on a lost treasure map, the race is on to find the legendary Burmese treasure.

Hands of Death

Hands of Death (1988)

Tom Laughlin

Ed Fury

James Stacy

Can a girl from Little Rock find happiness with a mature French planter she got to know one enchanted evening away from the military hospital where she is a nurse? Or should she just wash that man out of her hair? Bloody Mary is the philosopher of the island and it's hard to believe she could be the mother of Liat who has captured the heart of Lt. Joseph Cable USMC. While waiting for action in the war in the South Pacific, sailors and nurses put on a musical comedy show. The war gets closer and the saga of Nellie Forbush and Emile de Becque becomes serious drama.—Dale O'Connor

South Pacific

South Pacific (1958)

Wilfrid Hyde-White

Miles O'Keeffe

The Tarzan story from Jane's point of view. Jane Parker visits her father in Africa where she joins him on an expedition. A couple of brief encounters with Tarzan establish a (sexual) bond between her and Tarzan. When the expedition is captured by savages, Tarzan comes to the rescue.—Anonymous

Tarzan the Ape Man

Tarzan the Ape Man (1981)

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