Ving Rhames

Catherine Zeta-Jones

Sean Connery

Will Patton

Following the theft of a highly-secured piece of artwork, an agent convinces her insurance agency employers to allow her to wriggle into the company of an aging but active master thief. Connery's burglar takes her on suspiciously and demands rigorous training before their first job together, stealing a highly-valued mask from a chichi party. Their deepening attraction and distrust could tear apart their partnership, but the promise of a bigger prize (some eight billion odd dollars) by Zeta-Jones keeps the game interesting. Only, who's playing with whom?—Lordship

Entrapment

Entrapment (1999)

Will Smith

Robert De Niro

Richard Gere

Leonardo DiCaprio

A documentary on the legendary film composer Ennio Morricone.

Ennio

Ennio (2021)

Sterling Holloway

Cammie King Conlon

Will Wright

Donnie Dunagan

It's spring, and all the animals of the forest are excited by the forest's latest birth, a buck fawn his mother has named Bambi. The animals are more excited than usual as Bambi's lineage means he will inherit the title of prince of the forest. Along with his mother, Bambi navigates through life with the help of his similarly aged friends, Thumper, a rabbit kit who needs to be continually reminded by his mother of all the lessons his father has taught him about how to live as a rabbit properly, and Flower, a skunk kit who likes his name. As different animals, they have their own issues and challenges which may not translate to the others. Being similarly aged, Bambi, Thumper and Flower may have to experience the uncharted phases of their lives without the knowledge or wisdom unless gleaned from those who have gone through them before. Bambi has to learn early that the lives of deer and of many of the other forest animals are not without their inherent dangers, for deer especially in the beautiful albeit exposed meadow. Bambi will also find that his ascension to prince of the forest is not a guarantee as other buck deer and situations may threaten that ascension.—Huggo

Bambi

Bambi (1942)

Meredith Ostrom

James Toback

Neve Campbell

Karen Allen

Vera is a femme fatale for the 21st century; a beautiful, capricious young woman living in New York whom begins exploring the limits of her sexual and intellectual power. She picks up men on the street and has sex with them in her apartment. She also videotapes a sexual romp with a female lover, and has sexually frank discussions with her potential employer. As the daughter of wealthy, indulgent parents, Vera seems to be improvising her way through the beginning of her life as an adult. Her boyfriend, Ford, is a fast-talking hustler prepared to do anything to make a buck. Aware of Vera's promiscuity, Ford sees a chance to make big money when he meets an aging Italian media mogul, named Count Tommaso, who is enamored of Vera because of her sexuality, her intelligence, and what he perceives as her naiveté. Ford cooks up an idea to pimp Vera out to the Count for $100,000, easy money, if he can only talk Vera into it. Incredibly, she agrees. Everything appears to be going even better than planned. But both men have gravely underestimated Vera, who has an agenda of her own. Ford and the Count unwittingly play right into her hands, and when her plan of deception and manipulation comes to fruition, the results are staggering.—Anonymous

When Will I Be Loved

When Will I Be Loved (2004)

Will Poulter

Toni Collette

Michael Smiley

Jack Reynor

Jack is a young man in his early twenties who lives in subsidized housing near Dublin with his mother, Jean. He drives a night taxi but doesn't get much business. Jean is an alcoholic and her addiction is slowly killing her. Jack comes home and finds her unconscious in bed, about to choke on her own vomit. He rushes her to the hospital, where she is treated. The doctor tells Jack that his mother is systematically killing herself and soon will need a liver transplant. Jack's best friend is Shane. The two don't have much to occupy themselves and act like teenagers. Shane refuses to pay the overdue fine on a DVD rental, is ordered off the premises, and openly steals a bag of chips on his way out. He is angry because his ex-girlfriend won't allow him to see their son, even though he pays child support when he can. Bridie is Shane's mother. She is very loving toward her son; something Jack wistfully envies. Once Jean has recovered from her latest binge, she goes in search of liquor. But Jack has poured it out. Jean screams, wrecks the kitchen, and is filmed by Jack so she can view it later. He is desperate for her to get help because he cannot keep taking care of her. He is tired of cleaning up after her and peeling her off the doorstep whenever she's passed out. Jack has a younger brother, Kit, who has Down's Syndrome. Kit lives in a group home and Jean never comes to see him. She refers to him as "The Thing." Jack is very close to Kit and visits whenever he can. Kit's eighteenth birthday is approaching but once again Jean will not visit him, although she sends him a birthday card via Jack. Kit is obviously very fond of Jack although he isn't much interested in the card from his mother. Jack takes Kit on a fast ride in the car; driving in circles in a deserted parking lot. Jean is suspicious when Jack brings home several bottles of wine. She thinks he is making fun of her. But he explains that he simply wants to see why she likes drinking so much. Later in the evening, she mentions how much she and the boys' father had liked dancing. They used to dance all night long. But once Kit was born, their relationship ended. Neither of them could cope with having a Down's child. Jean's friends and family all but abandoned her when she needed help. Then she found a silent friend who would never let her down. The friend's name was alcohol. Jean further explains that she was unable to bond with Kit. Jack hears about a free program in a nearby facility and forces Jean to enroll. They go to a group meeting. The facilitator is a middle-aged man named Joe, who is a recovering alcoholic. Jack finds him very easy to talk to. He explains all about his mother and how he can't keep on taking care of her after a binge. Joe feels that hope is not lost; that even though Jean was forced to enter the program she wouldn't have if she didn't want help. They can keep her there for a week but after that she will need to enter a private facility. There is a good one but a twenty-eight day stay cost 8000 pounds. John explains that he doesn't have the money. He has tried without success to get more hours at work. Joe insists on loaning Jack some money, explaining that he always has a little put aside to help people. Jack contacts his boss and again asks for more hours. After he explains the situation with his mother, he is told that "something" might be arranged. Meanwhile Shane has decided to emigrate. After an emotional farewell scene with his mother, Shane gets into the taxi so John can drive him to the airport. On the way they stop at a video arcade. To Shane's surprise, his ex-girlfriend and their son are there. John arranged it. Shane and the little boy play a few games but then it is time to leave. Shane hugs his son and promises to see him soon. Jack is given instructions which don't seem to make sense. He takes an Asian woman to meet someone. She gets in the car and they drive away. The next day John drives to a riding academy and someone on a horse passes him a can. The contents are his share, which apparently is enough for a down payment on Jean's expenses. She tells Jack she can't promise him anything but she will try. Jack's boss asks him if he is ready for a bigger assignment. The directions are sent to him in a text message. After driving to what seems to be a deserted house in the country, Jack comes across an Asian woman in the bathtub. She begins screaming as if she is possessed. He bundles her up and carries her to his car. She is young and has obviously been beaten. To quieten her, he places earbuds so she can listen to music on his iPod. His phone begins vibrating; a signal that his boss is calling. But Jack ignores it. He is in way over his head. Obviously very frightened, he drives away from the house but then veers off the road. He says aloud that he can't do this. An image comes into his mind of himself, his mother, and Kit all smiling and greeting one another as a reunited family. But reality intervenes. Jack drives the girl to Joe, who assesses her injuries before leaving the room to presumably call the authorities. Here the movie ends.

Glassland

Glassland (2014)

Will Lyman

A documentary covering the 1994 Olympic Games in Lillehammer.

Lillehammer '94: 16 Days of Glory

Lillehammer '94: 16 Days of Glory (1994)

Catalina Sandino Moreno

Iwan Rheon

Will Kemp

Connor Swindells

Set over the course of twenty-four hours, BARBARIANS sees couple Adam (Rheon) and Eva (Moreno) wake up in their supposed dream house on Adam's birthday. Lucas (Cullen), property developer and friend of the couple, arrives for dinner with his actress girlfriend Chloe (Spiridonov), to celebrate Adam's birthday and the couple's buying of the house. But secrets unravel over dinner, and when the doorbell rings the evening takes a nightmarish turn. As manners give way to madness, an 'idyllic' evening of celebration descends into a dark night of terror; and the group's civilized dinner party turns out to be anything but.—IFC Midnight

Barbarians

Barbarians (2021)

John Williams

Jayne Mansfield

Barbara Eden

Joan Blondell

In this spoof of the TV advertising industry, Rockwell Hunter is the low man on the totem pole at the advertising company where he works. That is, until he finds the perfect spokes model for Stay-Put lipstick, the famous actress with the oh-so-kissable lips, Rita Marlowe. Unfortunately, in exchange, Rock has to act publicly as Rita's "Loverdoll", and Rock's fiancée Jenny isn't too happy about it either.—Syam Gadde

Will Success Spoil Rock Hunter?

Will Success Spoil Rock Hunter? (1957)

Giacomo Baessato

Nina Siemaszko

Kellie Martin

Lucia Walters

Emotionally ready to confront her fiancé's 15-year-old murder, Hailey finds herself caught up in the case of a missing college coed. The deeper Hailey digs into the young woman's disappearance the more she is convinced the two events are related.

Hailey Dean Mystery: A Will to Kill

Hailey Dean Mystery: A Will to Kill (2018)

Jenna Ortega

Will Forte

Jimmi Simpson

John Carpenter

Legendary rock band Foo Fighters move into an Encino mansion steeped in grisly rock and roll history to record their much anticipated 10th album. Once in the house, Dave Grohl finds himself grappling with supernatural forces that threaten both the completion of the album and the lives of the band.

Studio 666

Studio 666 (2022)

Juan Ignacio Aranda

María Gabriela de Faría

Joseph Marcell

Will Beinbrink

Father Peter Williams, an American exorcist, is possessed by the demon he was trying to expel from a young woman and for which he is forced, against his will, to commit the most terrible sacrilege. Eighteen years later, trying to keep his guilt buried under charity work for the poor and children in a small town in Mexico, Peter discovers that the demon has returned. This time it has possessed a young woman named Esperanza, and in addition, it also unleashes a deadly illness among the town's children. But his true purpose is something else: to possess Peter's soul. To exorcise Esperanza, Peter must confess his sin, but if he does, he will condemn himself not only to a fate of excommunication, but also to sacrifice his faith, his home, his soul, and the chance to save the people he cares about most.—exe_malaga93

The Exorcism of God

The Exorcism of God (2021)

Sierra McCormick

Jordan Ver Hoeve

Will Peltz

Major Dodge

A college freshman becomes obsessed with the previous owner of his school issued laptop.

Exploited

Exploited (2022)

Dudley Sutton

David Pearce

Gray Scott

Will Self

The Future of Work and Death is a documentary concerning the growth of exponential technology and where it is taking us. The film focuses on how future technology could significantly change the two inevitable features of the human experience; punching the clock and fading away. It explores how advanced automation, AI and technological singularity could be achievable in the next 30 years. How job obsolescence and technological unemployment could consequently occur and how digital immortality may not be a thing of science fiction. But what are the socio-political repercussions of these innovations and are we ready for them? Does working less mean living more and is ending ageing incumbent on us? Worldwide experts in the fields of futurology, anthropology, neuroscience and philosophy share their thoughts on these future advancements.—Gadfly Productions UK

The Future of Work and Death

The Future of Work and Death (2016)

Will Or

Francis Chun-Yu Ng

Singh Hartihan Bitto

Tat Chi Yu

Just out of jail, Fai finds a spot on a street corner where other homeless people welcome him. But he doesn't get much time to settle in. The police soon chase them away, and their possessions disappear into a garbage truck. Young social worker Ms Ho thinks it's time to fight this in court. In the meantime, Fai and his friends have other concerns.—jakkepoes

Drifting

Drifting (2021)

Kai Chi Liu

Ka-Ki Sham

Jan Lamb

The 1st FFFI Winning Film Projects Create Hong Kong (CreateHK) of the Commerce and Economic Development Bureau first launched the First Feature Film Initiative (FFFI) in March 2013 to identify new talents through a competition on screenplay and production proposals. In the year of 1984, Sino-British Joint Declaration was signed and the future of Hong Kong became unclear. In the stream of history, this story of a baseball team beneath the Lion Rock had gradually been forgotten: In that year, 'Shatin Martins', the first Hong Kong youth baseball team, was formed. The 10 young players were living an uneasy and restless life as Hong Kong. Being humiliated by one defeat after another, the faith of 'Shatin Mart their strong rival, the Japanese Buffalo ins' hanged in the balance. However, the hardship only brought out their bravery to surmount themselves and overcome the struggles. Living in the golden age, these players ignited their glory with every game as they grew together with their city. Eventually, it all comes to the final game facing.

Weeds on Fire

Weeds on Fire (2016)

Nathalie Richard

To shoot: a gun or a movie camera. The military analogy is born with the beginning of cinema. Eléonore Weber's (Les Hommes Sans Gravité, IndieLisboa 2008) documentary is exclusively based upon footage recorded by French and American soldiers in Iraq, Syria and Afghanistan. From the top of their helicopters, a viewfinder scans the night and watches for suspicious activity from moving heat dots. They have the power to take or keep lives.—fest

There Will Be No More Night

There Will Be No More Night (2020)

Vin Scully

Chill Wills

Julie Parrish

Len Lesser

Stock car racer Dave Owens plays into the hands of whiskey runners by agreeing to drive in a cross-country road race. He is assisted by Jane Harris and Sonny Leander Fox. Soon Dave and Sonny begin a friendly rivalry for Jane. Track action filmed at the Ascot and Saugus Raceways near Los Angeles, local color shot in Charlotte, North Carolina.—alfiehitchie

Fireball 500

Fireball 500 (1966)

Matthew Goode

Will Sharpe

Mia Goth

Helena Bonham Carter

I - And heard within, a lie is spunMabel (Mia Goth), a young girl, lives with her father Raymond (Matthew Goode), mother Penny (Claudie Blakley), and newborn sister Isobel in poverty, much to the disappointment of Raymond's more affluent relatives (Aunt Clarice (Miranda Richardson), Uncle Georgie (Josh McGuire), Great Aunt Eleanor (Stephanie Cole)). One night, after getting drunk and wandering into the forest, Raymond stumbles upon a sedan chair carrying the mysterious architect Mr. Van Schoonbeek, who beckons Raymond inside. Raymond returns home, rambling to his wife Penny about his encounter before falling asleep. The next day, Van Schoonbeek's employee Mr. Thomas (Mark Heap) visits the family and informs them that the architect has agreed to build a house for the family if they vacate their current home. Raymond and Penny sign the agreement and the family moves in just as the workers are finishing construction.The house is immediately peculiar: workers are seen refitting the house, but when approached by Mabel, they only stare at her vacantly without speaking; extravagant food is provided in the dining hall, but with no sign to who might be cooking or serving it; electric lights seem to hypnotize Raymond and Penny. That night, as Mabel and Isobel go to bed, Raymond and Penny find themselves fascinated by a fireplace and sewing machine in the house's withdrawing room, remaining there for hours on end without thinking of their daughters. Raymond is left baffled by the fact that he can't start a fire, while an unseen Van Schoonbeek laughs at his frustrations.The next morning, Mabel discovers that the workers have built a new room outside her window and removed the stairs, forcing them to descend via a ladder in the billiard room. She also sees Thomas acting nervously before informing her that Van Schoonbeek is making adjustments to the house; in the distance, his workers can be seen tearing down the family's old home. Soon after, Van Schoonbeek delivers new outfits to Raymond and Penny made out of couch cushions and curtains. The parents adore the outfits, though Mabel considers them strange. That night, Mabel and Isobel explore the house and enters the basement, eventually discovering their old home preserved underneath the house; finding the old house more comfortable, the two of them remain there for a time, but when hunger eventually forces them to leave, they find themselves lost in the maze of seemingly identical passageways. Meanwhile, as Penny mindlessly sews new curtains, Raymond kneels before the fireplace and - at the prompting of Mr Thomas - finally succeeds in lighting a fire by burning the family's old possessions, including Mabel's old dollhouse.Mabel and Isobel continue to wander the house in search of a way back to her parents, eventually stumbling upon a drunken and terror-stricken Thomas who confesses that he is simply an actor under the command of Van Schoonbeek; the two move on and are forced to sleep in the passage. Meanwhile, Raymond and Penny kneel before the fireplace, seemingly entranced by the burning dollhouse, oblivious to the fact that Van Schoonbeek has once again appeared nearby (sedan chair and all) and is laughing maniacally at them. Later, Mabel and Isobel inexplicably awaken to find themselves in the corridor outside the withdrawing room, and find that Van Schoonbeek is gone, while Raymond and Penny have been turned into furniture, Raymond a chair, and Penny curtains. As the dollhouse burns and the room is set on fire, Raymond and Penny seemingly awaken from their trance and beg Mabel to leave with Isobel; Penny lets her sheets down the window to allow them to escape. As the sun rises, Mabel and Isobel watch as smoke bellows from the room and their parents burn alive. Mabel and Isobel's fates are left unclear.II - Then lost is truth that can't be wonMany years later, the house is now settled in a developed city street and is currently up for sale. The developer (Jarvis Cocker) working on the house, an anthropomorphic rat, begins refurbishing the house for an upcoming property viewing; however, having laid off his construction crew in order to reduce costs in the light of his newest business loans (not helped by the fact it is in the midst of a recession), he has to do all the work himself, including installing a new rotisserie oven for the kitchen. He soon discovers an insect infestation in the house, which he ultimately identifies as being perpetrated by parasitic "fur" beetles. The developer initially quickly tries to cover up with sealant. As he works, he periodically sends updates to an apparently estranged lover, promising them a vacation in the Maldives. However, the bug problem only gets worse, with the developer quickly throwing down Boric acid all around the house; the fur beetles and larva are shown persisting in the sub-floor, and the developer spends one night sleeping in the kitchen surrounded by dead bugs.On the day of the viewing, the developer receives the wrong order of home-delivered groceries and is forced to improvise food for the event with junk food and energy drinks. As guests come in and explore the house, they find it disappointing and unable to live up to the developer's boasts. Worse still, many guests also spread dirt through the house. Even the rotisserie oven proves to be a disappointment, as the only thing the developer had to cook on it were sausages. Before long, the visitors begin to shuffle out as the developer begins losing faith in his pitch, until the house is almost empty. However, a strangely shaped older couple (Wife (Yvonne Lombard) & Husband (Sven Wollter)) express adoration for the developer's improvements and show interest in buying the house, but end up remaining long past the viewing hours, having made themselves at home in the upstairs bedroom; though puzzled, the developer allows them to stay.Over the next few days, the odd couple remain firmly settled in the house, and the bugs return in force. With the bank demanding repayment of his business loan, the developer grows impatient and calls his estranged lover again in desperation for advice, only to be hung up on with a warning to never call them "darling" again. In a frenzy, the developer begins tearing down papers from his bulletin board, before tripping over his printer and suffering an apparent hallucination in which all the bugs and larvae in the house dance before him. When the developer finally regains consciousness, he confronts the couple while they're in the bathroom, revealing them to have bodies the shape a larva and a beetle. Not noticing this, he calls the police to report the odd couple after they refuse to leave; right away, a pair of police officers (#1 (Tommy Hibbits) # 2 (Ayesha Antoine)) arrive - only to warn the developer to stop calling his estranged lover: it is revealed the estranged lover is his dentist, Dr. Jafri, who is ready to bring him to court for harassment.Then, the odd couple's extended family arrives at the house, the two claiming that they lived there beforehand. At his wit's end, the developer snaps and threatens to kill them with the Boric acid, though he ends up inhaling a mouthful and fainting, prompting an emergency visit to the hospital. The developer survives but is reduced to a seemingly catatonic state either by poison exposure or stress and doesn't even react to angry phone calls from the bank. The odd couple eventually picks the developer up and brings him home, where the couple's family throws him a welcome back party, many of them now sporting additional limbs. The final scene shows the family destroying the house, climbing up the walls and chewing through everything like bugs, having either mutated into giant insects or having been secretly insects all along. The developer, having regressed to animal intelligence, briefly emerges from the ruins of the rotisserie oven to eat some garbage before retreating back through the oven to his new home - a hole in the wall.III - Listen again and seek the sunAt an unspecified point in the future, the world has suffered a seemingly apocalyptic flood, with only a few structures remaining above water. The house has miraculously survived but is now surrounded by rising waters. Rosa (Susan Wokoma), a cat, acts as the landlord for the property, and dreams of restoring the house to its former glory for new tenants. However, her two current feline tenants, fisherman Elias (Will Sharpe) and hippie Jen (Helena Bonham Carter), have only been paying their rent with fish and stones, which, along with the sub-par materials and brown water, limits Rosa's ability to fix the house. Jen informs Rosa about her spirit partner who is set to arrive the next day, though Rosa is less than pleased.Jen's spirit partner, Cosmos (Paul Kaye), arrives by boat and sets up his tent outside the house, much to Rosa's chagrin. However, after learning that Cosmos is a craftsman, Rosa enlists him to work on the house repairs. The four cats party that night in celebration of a new beginning, while the waters continue to rise around the house as a thick fog settles in. The next day, Rosa discovers that Cosmos has been tearing up the house's floorboards to build a boat for Elias. As Cosmos continues to refit the house against Rosa's wishes, Rosa and Elias argue outside, with Rosa angry about the tenants destroying what she's been working for and Elias pointing out that, with the floodwaters still rising, the house will probably never see new tenants anyway - eventually claiming Rosa is simply afraid to leave the house. Elias later departs the house on the makeshift boat, leaving behind drawings of Rosa he made over the years, much to her sorrow. After a brief argument with Cosmos, she finds an I-beam has been installed in the ground in front of her house, further angering her.As the water and mist continues to seep into the house, Rosa starts having doubts about the house, soon having a dream about losing the house and her friends. Emerging from Cosmos' tent, Rosa sees Jen and Cosmos sailing away, begging her to join them. Resigning herself to tears, Rosa desperately pleads with the house to let her leave and rediscovers the neon sign Cosmos left. She quickly remembers that the I-beam is actually a lever; when pushed, it transforms the house into a seaworthy vessel, letting her escape as the floods destroy the surrounding foundations. Taking control of the house ship, she joins Jen, Cosmos, and a returning Elias as the four sail out into the ocean.

The House

The House (2022)

Ted Aguilar

Will Carroll

Rob Cavestany

Mark Osegueda

Recorded live at The Great American Music Hall in their hometown of San Francisco, this is a deep cuts collection of rarely and never performed songs. Featuring interviews about each track from the band members.

Death Angel: The Bastard Tracks

Death Angel: The Bastard Tracks (2021)

Chloë Grace Moretz

Jared Reinfeldt

Alexander Pobutsky

Georgia and her boyfriend Sam go on a treacherous journey to escape their country, which is caught in an unexpected war with artificial intelligence. Days away from the arrival of their first child, the couple must face No Man's Land, a stronghold of the android uprising, in hopes of reaching safety.

Mother/Android

Mother/Android (2021)

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